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Apr 23, 2000 · "Hell Hath No Fury" is the twelfth episode of the fourth season of La Femme Nikita. To draw out Red Cell’s, chief strategist once and for all, Section repeatedly attacks, several Red Cells substations. Madeline believes that the strategist, code-name Leon, is within the latest group of captured...
The meaning of the phrase is at once easily understood and all-too-easily mis understood. In common usage, ‘Hell hath no fury like a woman scorned’ means that nothing in the world – or even beyond the world, such as in the depths of hell – is as furious and capable of great anger as a woman who has been ‘scorned’.
‘Hell hath no fury like a woman scorned’ is an idiom that is adapted from a line in William Congreve’s play, The Mourning Bride (1697). The line from which it came is ‘Heaven has no rage like love to hatred turned, nor hell a fury like a woman scorned.”
Aug 19, 2005 · "Heaven has no rage like love to hatred turned, Nor hell a fury like a woman scorned." It means the furies will descend in rage and destroy you with fire and brimstone if you have scorned this woman. I wouldn't do it after those words and I would run like hell, as if all its devils were after me.
La Femme Nikita: Music from the Television Series. Many things set La Femme Nikita apart, and one of those is the source music. (See the episode-by-episode list at the bottom of this page). The tracks selected were quite often from obscure, offbeat bands,
"La Femme Nikita" Hell Hath No Fury (TV Episode 2000) - The title comes from the phrase "Hell hath no fury like a woman scorned", which itself is a paraphrase from a line in William Congreve's 1697 play The Mourning Bride, in which the original line is, "Heaven has no rage like love to hatred turned, Nor hell a fury like a woman scorned."
Oct 19, 2024 · First written as "Heav'n has no Rage, like Love to Hatred turn'd, Nor Hell a Fury, like a Woman scorn'd." in the 1697 play The Mourning Bride (Act III Scene 2) by William Congreve. The "hath" is a hypercorrection based on false chronological assumption and perception that the saying is ancient, dating to at least the grammar of Early Modern ...
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