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A Bar at the Folies-Bergère (French: Un bar aux Folies Bergère) is a painting by Édouard Manet, considered to be his last major work. It was painted in 1882 and exhibited at the Paris Salon of that year. It depicts a scene in the Folies Bergère nightclub in Paris.
- Who Was Edouard Manet?
- Analysis of A Bar at The Folies-Bergère
- Legacy of A Bar at The Folies-Bergère
Manet (1832 — 1883) began his artistic career by studying the works of painting masters known for their expressive brushstrokes and use of color, like Diego Velazquez and Francisco Goya. When he began creating his own original works in the late 1850s, the realist movement was still highly popular in Paris, so he followed in the more precise and gro...
Style
A Bar at the Folies-Bergère exemplifies Manet's not-quite-realist style. He renders the main figures, objects, and interior with expressive brushstrokes and close attention to the details. Each bottle of alcohol on the counter, for example, is presented with its distinct label and packaging. One of the beer bottles with a red triangle on the label has been identified as the brand Bass Pale Ale, which was founded in 1777 and still made today.
Contemporary setting
Like the majority of Manet's works, A Bar at the Folies-Bergère is based on a real-life nightclub in Paris called the Folies-Bergère. In the late 19th century, this establishment was incredibly popular among artists as well as middle and upper-class Parisians for its array of entertainment including cabaret, ballet, and acrobatics to name a few. Manet gives the viewer a peek into what goes on in the trendy music hall by featuring the legs of a performing trapeze artistin the upper left corner...
Real-life models
Manet preferred to usereal people as models for his paintings to make them more contemporary and naturalistic. The main female figure in this work is based on a barmaid named Suzon who worked at the Folies-Bergère in the 1880s. Beside one of her arms is a bowl of oranges, which suggests that she may have also been a sex worker—a subject that garnered Manet significant attention twenty years prior when he debuted Olympia.
As Manet's last major work, A Bar at the Folies-Bergère embodies all of the traits for which the French artist is best known. Complex in its composition, it captures more than just one moment inside the Folies-Bergère. Instead, it offers a window into the glamour, excitement, and isolation of social settings in late 19th century Paris.
Discover Édouard Manet’s last major painting A Bar at the Folies-Bergère at The Courtauld Gallery, based at Somerset House in central London.
Oct 20, 2020 · A Bar at the Folies-Bergère (French: Un bar aux Folies Bergère), painted and exhibited at the Paris Salon in 1882, is considered the last major work of French painter Édouard Manet. It depicts a scene in the Folies Bergère nightclub in Paris.
A Bar at the Folies-Bergere was presented by Manet at the 1882 Paris Salon exhibition, just one year before his death. The painting is the culmination of his interest in scenes of urban leisure and spectacle, a subject that he had developed in dialogue with Impressionism over the previous decade.
A Bar at the Folies-Bergère (1882) by the French artist Édouard Manet (1832–1883) is part of the permanent collection of The Courtauld Gallery. Manet's painting large size – 96cm x 130cm – immediately catches the attention of the spectator, making it an ineludible artwork in the gallery.
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Who is Édouard Manet?
Édouard Manet’s last and perhaps greatest masterpiece – A Bar at the Folies-Bergère – has been described as “one of the canonical images for modernist art history” [1]. Right from the time it first appeared at the prestigious Paris Salon, it has been notorious both for its apparently wilful disregard of perspective, and by the ...
