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Karlheinz Stockhausen (German: [kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩] ⓘ; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important [1][2][3][4] but also controversial [5] composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, having ...
The compact discs, a free catalogue and work list may be ordered by mail or e-mail order from the Stockhausen-Verlag (Kettenberg 15, 51515 Kürten, Deutschland; Fax: + 49 [0]2268-1813; www.stockhausen-verlag.com / stockhausen- verlag@stockhausen.org). Stockhausen Complete Edition on Compact Discs.
10 impossible classical masterpieces. 2. Kontra-Punkte. In the original programme notes for the premiere of Kontra-Punkte in 1953, Stockhausen wrote, ‘in a many-faceted sound-world with individual notes and durations, all oppositions are to be dissolved until a state is reached in which everything that is heard is unified; immutable.’.
Stockhausen: The Father of Electronic Music. For the tenth anniversary of Karlheinz Stockhausen’s death, Robert Worby looks back at the composer's defining masterpieces - music that demands to be heard - and felt - live. Karlheinz Stockhausen is a name familiar to many who are engaged with the arts. Lots of people have heard of him even if ...
On November 14th 1994 the Stockhausen Foundation for Music was ratified as a non-profit foundation having as its purpose "the advancement of musicology including the stimulation of music culture based on the creative oeuvre of Professor Karlheinz Stockhausen" (paragraph 2.2 of the foundation statutes). The Stockhausen Foundation for Music is in ...
Karlheinz Stockhausen (born Aug. 22, 1928, Mödrath, near Cologne, Ger.—died Dec. 5, 2007, Kürten) was a German composer, an important creator and theoretician of electronic and serial music who strongly influenced avant-garde composers from the 1950s through the ’80s. Stockhausen studied at the State Academy for Music in Cologne and the ...
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Stockhausen continually shattered musical boundaries, composing in a dazzling array of styles, from the ‘pointism’ of Punkte (1952) to the ‘super formula’ of LICHT (1977-2002) and beyond. Radio shaped Stockhausen’s early thinking as a conduit for communication. Deep-rooted in music as vibration, hence tactile and physical, he saw ...
