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Karlheinz Stockhausen (German: [kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩] ⓘ; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important [1][2][3][4] but also controversial [5] composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, having ...
Karlheinz Stockhausen Complete List of Works. All works which were composed until 1969 (work numbers 1/11 to 29) are published by Universal Edition in Vienna, with the exception of ETUDE, Electronic STUDIES I and II, GESANG DER JÜNGLINGE, KONTAKTE, MOMENTE, and HYMNEN, which are published since 1993 by the Stockhausen-Verlag, and the renewed compositions 3x REFRAIN 2000, MIXTURE 2003, STOP ...
A list of compositions by Karlheinz Stockhausen ... ("In the Sky I Am Walking", American Indian Songs), Nr. 36 1 ⁄ 2 (1972) Amour, 5 pieces for clarinet, Nr. 44 (1976)
10 impossible classical masterpieces. 2. Kontra-Punkte. In the original programme notes for the premiere of Kontra-Punkte in 1953, Stockhausen wrote, ‘in a many-faceted sound-world with individual notes and durations, all oppositions are to be dissolved until a state is reached in which everything that is heard is unified; immutable.’.
Stockhausen: The Father of Electronic Music. For the tenth anniversary of Karlheinz Stockhausen’s death, Robert Worby looks back at the composer's defining masterpieces - music that demands to be heard - and felt - live. Karlheinz Stockhausen is a name familiar to many who are engaged with the arts. Lots of people have heard of him even if ...
Karlheinz Stockhausen (born Aug. 22, 1928, Mödrath, near Cologne, Ger.—died Dec. 5, 2007, Kürten) was a German composer, an important creator and theoretician of electronic and serial music who strongly influenced avant-garde composers from the 1950s through the ’80s. Stockhausen studied at the State Academy for Music in Cologne and the ...
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The sudden death of Karlheinz Stockhausen has removed one of the last remaining figures from the post-war avant-garde, whose radical transformation of European new music at the start of the 1950s polarized its reception to an extent that continues to resonate in a cultural scene vastly different from the one where the composer had first made his mark.
