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Julio González; Screaming Head, 1940 Julio González; ... Chicago, IL 60603; Modern Wing Entrance 159 East Monroe Street Chicago, IL 60603; About us. Mission and ...
- Summary of Julio González
- Accomplishments
- Biography of Julio González
Despite Julio González's late start and short creative period of work, marked by poverty and war, he realized key works that capture his radical approach to sculpture. The strong ties to the local craft traditions in Barcelona informed his image of form and his choice of material with the formidable training and his acquired welding skills during W...
González chose iron as his metal of choice, because of his objection to its modern uses for munitions and for society's mechanized, scientific environment. He aimed to transform this metal into evo...González, inspired by Rodin, left visible the process of making, such as chasing the subject out of the metal, the marks of beating the metal into shape, or showing the skeletal elements used in we...Influenced by Picasso's revolutionizing attitude toward the dialogue between painting and sculpture, González began to depict forms in space in his own sculptural work. He therefore understood spac...Drawing provided González with the opportunity to try out his ideas and even occupy himself, when sculpting materials were scarce. They reveal his sense of color and the importance of light and sha...Childhood
González was born Julio González Pellicer in Barcelona to a family descended from a long line of metal smiths. As a child, he began learning decorative metal working in his father's workshop. His father, Concordio González, was a part-time sculptor, and his mother, Pilar Pellicer Fenés, came from a long line of well-known artists, her father having been an important 19thcentury Catalan illustrator and designer. As the youngest of four children, González was particularly close to his mother an...
Early Training and Work
As a teenager, González, along with Joan, took evening classes at the Barcelona School of Fine Arts. He was influenced by the Impressionists, often painting and sketching the female figure, and by Art Nouveau in his decorative metal work. The brothers also joined Circol Artist Sant Luc, an artistic society that advocated humility, Catholic morals in the arts, and the craft emphasis of guilds. Their uncle was the president of this society that included the prominent Catalan artists Joan Limona...
Mature Period
The late 1920s were a period of radical innovation in González's artistic practice. His friendship with Picasso had been renewed, when they ran into each other by chance. According to his daughter Roberta, "Picasso called out: 'Hey, we are not going to stay angry all of our life! Let's hug each other!'' The friendship became an artistic collaboration in 1928 when Picasso hired González for metalworking. Over the course of the next three years, González and Picasso worked together on six Cubis...
- Spanish
- September 21, 1876
- Barcelona, Spain
- March 27, 1942
Exposition in Chicago. In the 1896 catalog of the Barcelona Ex position Julio's entry was a "Branch of flowers of forged and beaten iron," which may be taken as typical of his early work. At some time between 1891 and 1900, Julio is also said to have 4; , i.-Jm ' I I Concordio Gonzalez. PORTRAIT OF HIS WIFE PILAR, c. 1875.
Julio González. Spanish, 1876-1942. Status. Currently Off View. Department. Prints and Drawings. Artist. Julio González. Title. Screaming Head. Place. Spain (Artist's nationality:) Date. 1940–1942. Medium. Pen and black ink, with brush and gray wash, over graphite on off-white laid paper. Inscriptions.
Welcome to the official website of the Spanish artist Julio González (1876-1942). Artisan metal-worker, painter and skilled draftsman, González sets himself apart as one of the most innovative artists of the 20th century through his iron sculpture.
Julio González i Pellicer (21 September 1876 – 27 March 1942), born in Barcelona, was a Spanish sculptor and painter who developed the expressive use of iron as a medium for modern sculpture. He was from a lineage of metalsmith workers and artists.
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González exhibited metalwork at the Exposición de bellas artes e industrias artísticas in Barcelona in 1892, 1896, and 1898, and at the World's Columbian Exposition in Chicago in 1893. In 1897 he began to frequent Els Quatre Gats, a café in Barcelona, where he met Pablo Picasso.
