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  1. en.wikipedia.org › wiki › Jonas_MekasJonas Mekas - Wikipedia

    Jonas Mekas (/ ˈmiːkɑːs /; [1] Lithuanian: [ˈjonɐs ˈmækɐs]; December 24, 1922 – January 23, 2019) was a Lithuanian-American filmmaker, poet, and artist who has been called "the godfather of American avant-garde cinema ". [2] Mekas's work has been exhibited in museums and at festivals worldwide. [3] Mekas was active in New York City ...

  2. www.jonasmekas.com › bioJonas Mekas

    Biography. Jonas Mekas was born in 1922 in the farming village of Semeniškiai, Lithuania. In 1944, he and his brother Adolfas were taken by the Nazis to a forced labor camp in Elmshorn, Germany. After the War he studied philosophy at the University of Mainz.

  3. Jan 23, 2019 · Jonas Mekas, the Lithuanian-born filmmaker and archivist who became known as the godfather of avant-garde cinema, has died aged 96. Arriving in New York as an émigré after the Second World War, Mekas would found the influential film journal Film Culture, the Film-Maker’s Co-operative and the Filmmakers’ Cinematheque, which would become ...

  4. Aug 21, 2019 · David Sterritt, Editor-in-Chief of Quarterly Review of Film and Video and Contributing Writer at Cineaste, wrote about Jonas Mekas and Anthology Film Archives many times during almost 40 years as film critic and cultural correspondent of The Christian Science Monitor.

  5. Estate of Jonas Mekas. The Jewish Museum presents the first U.S. museum survey of the Lithuanian-born filmmaker, poet, critic, and institution-builder who helped shape the avant-garde in New York City and beyond.

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  6. Diaries, Notes & Sketches – Volume 1, Reels 1-6: Lost Lost Lost review: “an unfolding account of the early American underground” In tribute to Jonas Mekas, who died 23 January 2019, we republish Jonathan Rosenbaum’s 1977 review of Mekas’s breakthrough diary film.

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  8. Feb. 23, 2023–Jan. 26, 2024. Monira Foundation proudly presents Jonas Mekas, Open Archives, a year-long exhibit at Mana Contemporary Chicago featuring artifacts, items, and memorabilia from Mekas’ personal archives.

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