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  1. Mar 14, 2017 · A designer collection: Cath Kidston on the art in her life. By Martin Gayford. Published on 14 March 2017. With prints on her walls by Calder, Klee and Keith Haring, Cath Kidston has long been an avid collector, and the London Original Print Fair has been the designer’s hunting ground.

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      The Royal Academy of Arts, located in the heart of London,...

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      2017 Tate Britain, London 2016 Royal Academy of Arts 2015...

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  2. The Guest is a 2014 American thriller film directed by Adam Wingard and written by Simon Barrett. The film stars Dan Stevens and Maika Monroe, with a supporting cast that includes Leland Orser, Sheila Kelley, Brendan Meyer, and Lance Reddick.

  3. Designed by Calder and built in 1962, the studio embodies a simple and functional aesthetic, blending seamlessly into the surrounding natural environment. Since its inception, Atelier Calder has hosted over fifty international artists for periods of at least three months and up to one year.

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  4. Jun 8, 2017 · By Jason Farago. June 8, 2017. No artist of the last century had a greater gift for wordplay than Marcel Duchamp, and he had a killer pun ready when he visited the American sculptor Alexander...

  5. However, Calders handmade, recycled, or modified utilitarian objects—which were part and parcel of the Calder family’s everyday life—manifest his staunch commitment to a personal politics that is, when examined, impossible to separate from a broader worldview.

  6. Jan 8, 2018 · Indeed, many of his early works foreshadow the large-scale masterpieces for which the artist is best known today—a progression charted by art critic Jed Perl in his newly published biography Calder: The Conquest of Time: The Early Years: 1898–1940. From wire portraits to hanging mobiles, the six works below represent significant shifts in ...

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  8. Nov 27, 2017 · No one doubts that Calder is a remarkable artist, and in Jed Perl he has found a scrupulous chronicler. But, as we learn from Perl’s seven-hundred-page “ Calder: The Conquest of Time: The...

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