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May 17, 2021 · 5th–21st March 1961, oil on canvas by Jean Dubuffet (1901–1985) Dubuffet pushed his experiment with brutal beauty to its most controversial edge with his series 'Ladies' Bodies' ('Corps de dames'), which he began in April 1950. Each is dominated by an amorphous female body, splayed naked on the canvas.
The chaotic imagery in these panoramic ‘theatres’ reflects Dubuffet’s interest in how our imagination bleeds into our impressions of the everyday world. When they were exhibited at Pace Gallery in New York in 1979, the works attracted the attention of artists including Keith Haring and Jean-Michel Basquiat.
- Summary of Jean Dubuffet
- Accomplishments
- Biography of Jean Dubuffet
Jean Dubuffet disliked authority from a very early age. He left home at 17, failed to complete his art education, and wavered for many years between painting and working in his father's wine business. He would later be a successful propagandist, gaining notoriety for his attacks on conformism and mainstream culture, which he described as "asphyxiat...
Dubuffet was launched to success with a series of exhibitions that opposed the prevailing mood of post-war Paris and consequently sparked enormous scandal. While the public looked for a redemptive...The emphasis on texture and materiality in Dubuffet's paintings might be read as an insistence on the real. In the aftermath of the war, it represented an appeal to acknowledge humanity's failings...Dubuffet's Hourloupestyle developed from a chance doodle while he was on the telephone. The basis of it was a tangle of clean black lines that forms cells, which are sometimes filled with unmixed c...Childhood
Jean Dubuffet was born on July 31, 1901, in Le Havre, France, into a middle-class family that distributed wine. Although he was well-educated, he came to reject his studies, preferring to educate himself by reading the work of Dr. Hans Prinzhorn, who drew comparisons between the art of asylum inmates and the artwork of children. Based on these observations, Prinzhorn stated that it was savagery, or base animal instinct, that lead to universal harmony, arguing that it was the primal instinct,...
Early Training
In 1918, Dubuffet moved to Paris where he studied painting at the Académie Julian. Dubuffet thought of himself as savage in comparison to the intellectuals at the art academy. Rebelling against the institution, Dubuffet took a stance that was anti-art and anti-culture, for example, refusing to be constrained by categories like "Surrealist" and "Futurist." After attending classes for six months, he withdrew from the academy, deeming his studies useless. In 1924, Dubuffet took over his father's...
Mature Period
Frustrated by intellectual approaches to art, Dubuffet continued to admire the artwork of asylum inmates and children. In attempting to recreate what he saw as their uninhibited style, he chose to paint in seclusion where he could experiment with new methods and concepts, unfettered by theory or popular trends. Heavily influenced by the paintings of Jean Fautrier, Dubuffet began to take a similar approach to the texture of his paint, combining sand, gravel, tar, and straw to his paintings to...
- French
- July 31, 1901
- Le Havre, France
- May 12, 1985
Jean Dubuffet was born on 31 July 1901 in the city of Le Havre, France. The elder son of a wealthy family of wine merchants, he grew up under the watchful eye of his authoritative father, Georges, who expected him to excel at school. The young Dubuffet found solace in the family’s extensive library, stealing books and reading them at night by ...
New York. The Metropolitan Museum of Art. "Recent Acquisitions: 1993–1995," July 28–September 24, 1995, no catalogue. New York. The Metropolitan Museum of Art. "The Pierre and Maria-Gaetana Matisse Collection," May 18, 2004–June 26, 2005, no catalogue (checklist no. 15).
In 1967, Jean Dubuffet donated part of his personal collection to the Musée des Arts Décoratifs, comprising especially graphic works, as well as 21 paintings and 7 sculptures made between 1942 and 1967. This exceptional donation by a living artist to a museum which is not, in theory, dedicated to paintings, was due to the friendship of Jean Dubuffet and the museum’s director at the time ...
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Title: Landscape. Artist: Jean Dubuffet (French, Le Havre 1901–1985 Paris) Date: 1953. Medium: Dripped ink on paper and cut and pasted paper on paper. Dimensions: 3 15/16 x 5 13/16 in. (10 x 14.8 cm) Classification: Paintings. Credit Line: Gift of Arthur Wiesenberger, 1967. Accession Number: 67.221.2.
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