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Mar 28, 2013 · Jason Zumpano in that place known as "outside." Long into a boozy conversation about his work, Jason Zumpano makes a stinging observation about mine. Mark Haney, the Daredevil
Jason Zumpano's first solo album, Sparrow (Overcoat, 2003), is devoted to orchestral pop in the vein of Abba and XTC. The Early Years (2005) was also rather undistinguished. Zumpano then returned to orchestral pop with a new project, The Cyrillic Typewriter (Jaz, 2011), while the instrumental vignettes of Room And Mansion (Inflight, 2010) were a bit more experimental.
Sparrow's self-titled debut is the new project from ex-Zumpano drummer Jason Zumpano, and that's about the most exciting thing I can say about it. Which is shocking given that Zumpano's two early ...
Feb 27, 2013 · Experimental pop four-piece embrace themselves on “Cheshire” Julie Dawson creates a cinematic soundscape of renewal and escapism on “Close The Door” shine in layered new wave ode to freedom and escape in “Runaway”. Best Fit catches up with Jason Zumpano to talk Cartoon College, Cyrillic Typewriter and how to manipulate former ...
- Ro Cemm
Aug 1, 2006 · The Early Years makes it abundantly clear that Zumpano was as much Jason’s creation as anyone’s. The Sparrow of today incorporates many of the influences that have informed Jason’s previous work: the baroque whimsy of The Zombies and The Left Banke, the complex melodicism of the Beach Boys, and the classicist songwriting chops of Bacharach and Spector.
Jan 22, 2006 · Take Jason Zumpano, Sparrow frontman and former drummer for the mid-90s power pop outfit that shared his last name, as well as Destroyer. ... Plays John Coltrane and Langston Hughes. Raphael ...
May 12, 2010 · Introducing: Jason Zumpano. Jason Zumpano has been a part of the Canadian music scene since the early nineties, first with the Sub Pop signed band that took his name (alongside Carl Newman), then with Destroyer, Sparrow, Attics and Cellars and through his own solo work. To mark the release of his new solo piano record “Room and Mansion”, we ...
