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Jason R. Reitman ( / ˈraɪtmən /; born October 19, 1977) [1] is a Canadian–American filmmaker. He is best known for directing the films Thank You for Smoking (2005), Juno (2007), Up in the Air (2009), Young Adult (2011), Ghostbusters: Afterlife (2021), and Saturday Night (2024). He has received one Grammy Award, one Golden Globe and four ...
- Up in the Air. His 2009 masterpiece demonstrated many times over that Reitman is truly a director worthy of serious contemplation. First, in offering pertinent commentary on American life in the 21st century, Up in the Air was incredibly timely and remains an indelible document of its time a decade removed from the stock market collapse of 2008.
- Juno. The reputation of Juno speaks for itself – it didn’t become a box office hit and an Academy favorite for no reason. Diablo Cody’s debut screenplay is a miracle of pure wit as well as an acute examination of hipster culture and the teenage psyche.
- Thank You For Smoking. His debut made him an overnight wunderkind before Juno and Up in the Air confirmed him as a dilettante of indie filmmaking. Thank You For Smoking bears all the tricks of his trade yet to be put to their fullest use – lean adaptation, distinctive pop soundtracks, first person narration, droll satire and political commentary.
- The Front Runner. His first crack at historical features was the second part of Reitman’s substantial return to form – The Front Runner boasts his standard in sharp-edged wit and an ability to elicit sincere performances, all amongst a credible 1980s recreation.
- Labor Day
- Men, Women & Children
- The Front Runner
- Ghostbusters: Afterlife
- Tully
- Young Adult
- Thank You For Smoking
- Up in The Air
- Juno
A messy and generally misguided story of Stockholm syndrome that resembles the shallowness of a Nicholas Sparks film you’ve already seen a thousand times, Labor Day strains credulity at all turns by flattening its characters down until they almost completely disappear. It does this in order to serve a narrative that isn’t nearly as engaging as it t...
An ensemble film about the internet and how it shapes our relationship to each other, Men, Women & Children is a complicated if ultimately unsuccessful look at the lives of multiple people living in Texas. There is probably a moderately good story buried deep within the multiple stories playing out, though you never get to fully see it. They are al...
Based on an intriguing true story with a strong central performance that still somehow manages to land with a hollow thud, The Front Runner is the film on this list that represents the biggest missed opportunity. It stars Hugh Jackman as Gary Hart,a former U.S. Senator who was beginning his run for president in 1987 when his campaign became caught ...
Reitman’s most recent work is far from perfect as it struggles to distinguish itself beyond its heavy reliance on nostalgia and recreations of moments from the prior film. However, it does have some redeeming qualities sprinkled throughout. Notable among them is the always compelling Carrie Coon who plays a single mother named Callie that moves to ...
Tully is a film that has faced a bit of pushback because of a certain direction the plot goes in toward the end. I am here to tell you that the film is not only quite good leading up to the shift in narrative, but from that point onward as well. It stars a commanding Charlize Theron as Marlo, a mother of three children who is struggling to keep up ...
One of the more depressing films on this list, Young Adult is a painfully prolonged look at a life in crisis. This film again stars Theron, this time as an alcoholic and depressed author named Mavis who is going back home to small-town Minnesota to try to win back her old high school boyfriend. There is just one small problem: said boyfriend, Patri...
Okay, so Thank You for Smoking is a film that is most certainly not going to be for everyone. It is hard to think of a more cynical work than Reitman’s unabashedly dark satire about the tobacco industry and the overwhelming greed that plagues American society. It centers on an incredibly smarmy Aaron Eckhart as Nick Naylor, the main lobbyist for Bi...
Featuring a performance that is one of George Clooney’s best, Up in the Air is a story of upbeat if tragic existentialism in the sky. Clooney is Ryan Bingham, a man who is tasked with firing people for a living. It is bleak and depressing work, though Ryan tries to justify it to himself as he believes he provides people some dignity as he upends th...
There was only one film that could have been at the top of this list and it was always going to be Juno. It has only grown richer and more resonant with time. It stars Elliot Page as Juno, a teenager whose life is upended by an unplanned pregnancy. Initially uncertain about whether to keep the child, Juno decides to seek out another family to adopt...
- Chase Hutchinson
- Movie Reviews Editor
Feb 14, 2022 · Jason Reitman then picked up his father’s torch for what would be the fourth installment, Ghostbusters: Afterlife, which came out in late 2021 with Ivan Reitman serving as producer. Image via Sony
- Senior Author
9 Videos. 99+ Photos. Jason Reitman is a Canadian filmmaker and producer who notably directed Ghostbusters: Afterlife, Juno, Thank You for Smoking, Up in the Air, Young Adult and Tully. He produced Chloe and Jennifer's Body, two films that advanced Amanda Seyfried's career for adult oriented roles. He is the son of Ivan Reitman, who directed ...
- January 1, 1
- 1.78 m
- Montreal, Quebec, Canada
Feb 14, 2022 · Ivan Reitman, the influential filmmaker and producer behind beloved comedies from “Animal House” to “Ghostbusters,” has died. Reitman passed away peacefully in his sleep Saturday night, Feb. 12, 2022, at his home in Montecito, Calif., his family told The Associated Press. He was 75.
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Gulp. 2001 7m. 6.2 (285) Rate. Short. Francis has just changed his new fish's water, and the fish is freaking out. Francis calls a pal who tells him the fish needs salt water, not fresh water, and hasn't long to live; so Francis sets out, fish in fresh water in a plastic bag, to save it. He must first find his car, deal with an unsympathetic ...
