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Jacqueline Sassard (13 March 1940 – 17 July 2021) was a French actress who appeared in Italian films such as Guendalina directed by Alberto Lattuada, a young woman with family and financial troubles in Luigi Zampa's Il Magistrato and Valerio Zurlini's Violent Summer (1959), in which her character was left by Jean-Louis Trintignant.
Jul 25, 2020 · Born 1940 in Nice, French actress Jacqueline Sassard is best known for appearances in Italian films such as Guendalina directed by Alberto Lattuada, a young woman with family and economical troubles in Luigi Zampa’s Il Magistrato and Valerio Zurlini’s Violent Summer (1959), in which her character was left by Jean-Louis Trintignant. Sassard ...
Jul 28, 2022 · By the time John started high school, however, Ari's health was in decline and there were rumors that he planned to file for divorce. Jackie remained in New York, while her husband lived mainly in ...
Jul 17, 2021 · Jacqueline Sassard (March 13, 1940 – July 17, 2021) was a French actress best known for appearing in classic Italian films, including Guendalina (1957) and Violent Summer (1959). Her most iconic role was an Austrian princess in the British drama Accident (1967).
Jacqueline Sassard. Lovely Jacqueline Sassard's career as a leading actress endured just over a decade and was launched not in her native country, but across the border in Italy. Her first featured role was as the titular heroine in Alberto Lattuada 's Guendalina (1957) at the tender age of 17.
- January 1, 1
- Nice, Alpes-Maritimes, France
- January 1, 1
- Lugano, Switzerland
6 days ago · Jacqueline Sassard — the mysterious object of male desire in “Accident.” By Gerald Peary. Is it a consolation to us jealous outsiders? Being wealthy landed gentry doesn’t always make people happy.
Lovely Jacqueline Sassard's career as a leading actress endured just over a decade and was launched not in her native country, but across the border in Italy. Her first featured role was as the titular heroine in Alberto Lattuada's Guendalina (1957) at the tender age of 17.
