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The phrase “wag the dog” has become a shorthand for when a government or political figure creates a distraction to divert attention from a scandal or issue. The film’s satirical take on media manipulation and political spin has only become more relevant in the age of social media and “fake news.”
Dec 20, 2022 · Courtesy of New Line Cinema/Everett Collection. Twenty-five years after its release on Christmas Day 1997, the political comedy Wag the Dog —centered on a fake war cooked up to distract from a ...
Aug 22, 2019 · Abstract. Political philosophy has long worried about the blurred line between politics and entertainment. Plato famously held that democratic politics is highly susceptible to manipulation working through the art of storytelling and proposed banishing dramatists from his good society. More recently, some thinkers have focused on a different ...
- John Parrish
- 2020
Jan 9, 1998 · “Wag the Dog” takes the stance that American public policy may be founded on fraud in high places, and that there is no public outpouring too spontaneous-looking to be manipulated by political ...
Wag the dog. Wag the dog is a political term for the act of creating a diversion from a damaging issue usually through military force. It stems from the generic use of the term to mean a small and seemingly unimportant entity (the tail) controls a bigger, more important one (the dog). It is usually used by a politician when they are in a ...
Jul 18, 2016 · July 19, 2016. 1. “ Wag the Dog ” is a 1997 film directed by Barry Levinson and starring Robert De Niro and Dustin Hoffman. The films follow an unnamed President, who gets embroiled in a sex scandal two weeks before the Presidential election. To help quell the situation, the President enlists the help of political consultant Conrad Brean ...
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Oct 10, 2024 · PressReader. Catalog; For You; The Guardian Australia. Wag the Dog: a pitch-black political comedy that’s never looked more relevant 2024-10-10 - Elizabeth Quinn . In a public discussion about the US election, the political commentator and one-time Keating speechwriter Don Watson posited that the American public finds it difficult to tell the difference between reality and fantasy.
