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Dec 12, 2023 · Reviewed by: Jennie Kermode. "There is an effort here to do something new with this type of heroine, and to give her fresh agency, whilst exploring something of what it is that intrigues many women about the monstrous men in the Gothic." Haunted paintings have a long history in horror cinema and literature, but this Gothic tale sees début ...
The Portrait: Directed by Simon Ross. With Natalia Cordova-Buckley, Ryan Kwanten, Virginia Madsen, Mark-Paul Gosselaar. After her husband is devastated by a tragic accident, a devoted wife obsesses over a mysterious portrait that resembles him as he was; but when it starts to terrorize her, she must decide if it's possessed or if she's losing her mind.
- (831)
- Horror, Mystery, Thriller
- Simon Ross
- 2023-12-11
The Portrait is a 2023 British psychological thriller film starring Natalia Cordova-Buckley, Ryan Kwanten, Isidora Goreshter, Mark-Paul Gosselaar and Virginia Madsen. Directed by Simon Ross, in his feature debut, and written by David Griffiths, the plot is about a wife accidentally causing her husband's brain injury and being haunted by a portrait that resembles him.
Dec 8, 2023 · Immersive editing and camera work immediately draw you into Simon Ross ‘ THE PORTRAIT. Fipsi Seilern creates stunning paintings that captivate and disturb. David Griffiths ‘s screenplay leads us down a path that appears to be bit Dorian Gray, but the joke’s on us in the end. Mark-Paul Gosselar plays Brookes, the groundskeeper.
- reelnewsdaily@gmail.com
- Saban Films
- Simon Ross
- December 8, 2023
Dec 27, 2023 · The Portrait, which boasts an impressive "Fresh" 75% score on Rotten Tomatoes, recently debuted on VOD and Digital platforms. An edge-of-your-seat psychological thriller/horror, the movie stars ...
THE PORTRAIT is a US psychological horror film in which a woman takes her husband to his family home to recover his memory following an accident and becomes obsessed with a portrait that bears a remarkable resemblance to him.
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Dec 8, 2023 · That being said, Griffiths and Ross are aware the film needs to lean into such genre staples, so Sofia starts inquiring further about the portrait, uncovering that the man supposedly in the frame was a violent sort, a fact that only unnerves her as she feels the vastness of the house play tricks on her and the portrait’s eyes watch her wherever she goes.
