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- In THE FRENCH LIEUTENANT'S WOMAN, actors Anna (Meryl Streep) and Mike (Jeremy Irons) are filming a period romance, set in Victorian-era England. Their movie follows the relationship between shamed outcast Sarah and scientist gentleman Charles. This onscreen relationship mirrors that of the actors' offscreen extramarital affair in the real world.
www.commonsensemedia.org/movie-reviews/the-french-lieutenants-womanThe French Lieutenant's Woman Movie Review - Common Sense Media
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The French Lieutenant's Woman is a 1981 British romantic drama film directed by Karel Reisz, produced by Leon Clore, and adapted by the playwright Harold Pinter. It is based on The French Lieutenant's Woman, a 1969 novel by John Fowles. The music score is by Carl Davis and the cinematography by Freddie Francis.
Aug 12, 2015 · As a woman who simply requires a room of her own in which to create, and the freedom to be left alone to do so, she has to sacrifice a lustful Sir Galahad in order to satisfy her needs. As a free, working, creative actor, Anna is haunted by the shadow of Sarah’s entrapment and her drive for freedom.
The French Lieutenant's Woman is a 1969 postmodern historical fiction novel by John Fowles. The plot explores the fraught relationship of gentleman and amateur naturalist Charles Smithson and Sarah Woodruff, the former governess and independent woman with whom he falls in love. The novel builds on Fowles' authority in Victorian literature, both ...
The French Lieutenant's Woman: Directed by Karel Reisz. With Meryl Streep, Jeremy Irons, Hilton McRae, Emily Morgan. Anna and Mike portray two characters in a film set in 19th century England who fall in love despite the fact that Mike's character is engaged.
- (15K)
- Drama, Romance
- Karel Reisz
- 1981-10-16
Feb 13, 2024 · The film follows the story of Charles Smithson, a young and wealthy gentleman engaged to Ernestina Freeman. One day, while walking in the seaside town of Lyme Regis, Charles encounters a mysterious and enigmatic woman named Sarah Woodruff, also known as “The French Lieutenant’s Woman.”
The French Lieutenant’s Woman. An astounding array of talent came together for the big-screen adaptation of John Fowles’s novel The French Lieutenant’s Woman, a postmodern masterpiece that had been considered unfilmable.
John Fowles' original novel "The French Lieutenant's Woman" was distinguished by a literary technique that involved telling a story of Victorian sexual and social oppression within the bounds of a 1970s viewpoint. How does one convey this time-frame dichotomy on film?
