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Variety 's review concluded: " Sleep, My Love manages a fair share of suspense and adds up to okay melodrama. Plot gets off to a strong start and windup is high melodrama that brings off the finale on a fast note."
Mar 24, 2016 · In all these films, the Gothic heroine encounters the old dark house which harbours a sinister secret which the heroine must investigate, often in fear for her life. This threat usually emanates from a male love interest, or is sometimes presented as the oppression of a larger patriarchal society.
Apr 2, 2014 · Sleep, My Love, Douglas Sirk's 1948 melodrama, melds noir aesthetics with what would become the famed filmmaker's signature storytelling to create a crime-addled women's picture.
With noir’s reputation as a hardboiled, German expressionism-derived genre of shadowy streets and gravel-voiced gumshoes, one might be pardoned in forgetting the mother of the movement; melodrama. Douglas Sirk, though, arrives midway through its heyday with “Sleep, My Love,” which illuminates the reminder that noir is a genre born in ...
Sleep, My Love manages a fair share of suspense and adds up to okay melodrama. Plot gets off to a strong start and windup is high melodrama that brings off the finale on a fast note.
Sleep, My Love is, like Sirk's other films of the 1940s, good, but also lesser when compared to the perfection of his later work, but it's important as informative context for how Sirk would become the melodrama auteur and legend of the 1950s, capturing what makes the genre so compelling both as spectacles of entertainment and time capsules of ...
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Mar 2, 2016 · The 1948 thriller Sleep, My Love, directed by Douglas Sirk, fits the pattern. Rich, childless Alison Courtland (Claudette Colbert) has an enviable life: a lavish Sutton Place mansion, a debonair husband (Don Ameche).
