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  2. Oct 4, 2021 · Set in Beirut between the 1950s and 1970s, Skies Of Lebanon is based on the experiences of French filmmaker Chloé Mazlo’s grandparents. Grounded in reality and illuminated by playful image ...

    • Philippa Hawker
  3. Oct 10, 2021 · Skies of Lebanon is the work of screenwriters Yacine Badday and Chloe Mazlo, with the latter directing. Mazlo was inspired by stories her grandmother told her about life during the Lebanese Civil War.

  4. Skies of Lebanon: Directed by Chloé Mazlo. With Alba Rohrwacher, Wajdi Mouawad, Isabelle Zighondi, Mariah Tannoury. In the 1950s, Alice leaves her Swiss homeland for Lebanon. There, the best years of her life are marred by the threat of war.

    • (1.1K)
    • Comedy, Drama
    • Chloé Mazlo
    • 2021-06-30
  5. Skies of Lebanon“ is the first long film of F rench-Lebanese film maker Chloé Mazlo, we watched and enjoyed the beauty of this film who turns difficult subjects such as the civil war or the feeling of belonging into something else, breathtakingly colorful and melancholic.

  6. A poetic blending of the personal and political, Skies of Lebanon combines live action with animation to create a vivid picture of Lebanon, inspired by the family history of filmmaker Chloé...

    • (11)
    • Alba Rohrwacher
    • Chloé Mazlo
    • Drama
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    • is skies of lebanon based on a true story movie5
  7. Sep 9, 2021 · At first an original tale of self-searching, then a war-torn portrait of connection and familial melodrama set in the mid-fifties, French-Lebanese filmmaker Chloé Mazlo’s debut feature is an embellished story centred on Alice (the ever-brilliant Alba Rohrwacher). Arriving on the sunny shores of Beirut, Lebanon, with one suitcase and a sense ...

  8. Jun 30, 2021 · Review: Skies of Lebanon. by Fabien Lemercier. 30/06/2021 - Chloé Mazlo delivers a very original and extremely charming feature debut, tackling the history of the Lebanese conflict through a love story, a family, and an approach both poetic and melancholy. Alba Rohrwacher in Skies of Lebanon.

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