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    • 1953 American Technicolor Western film

      • Shane is a 1953 American Technicolor Western film starring Alan Ladd, Jean Arthur, and Van Heflin.
      en.wikipedia.org/wiki/Shane_(film)
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  2. en.wikipedia.org › wiki › Shane_(film)Shane (film) - Wikipedia

    Shane is a 1953 American Technicolor Western film starring Alan Ladd, Jean Arthur, and Van Heflin. Released by Paramount Pictures, [4][5] the film is noted for its landscape cinematography, editing, performances, and contributions to the genre. [6]

  3. www.imdb.com › title › tt0046303Shane (1953) - IMDb

    Shane: Directed by George Stevens. With Alan Ladd, Jean Arthur, Van Heflin, Brandon De Wilde. An ex-gunfighter defends homesteaders in 1889 Wyoming.

    • (45K)
    • Drama, Western
    • George Stevens
    • 1953-08-14
  4. Sep 3, 2000 · The movie is conventionally seen as the story of farmers standing up to the brutal law of the gun in the Old West, with a lone rider helping a settler hold onto his land in the face of hired thugs. Look a little more carefully and you find that the rider and the farmer’s wife feel an attraction for one another.

  5. Jan 1, 2023 · Alan Ladd is Shane, the mysterious, six-gun wielding stranger who rides into a valley where Joe Starrett (Van Heflin) and a handful of other men are trying to carve out homesteads.

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  6. Making familiar Western tropes feel authentic, Shane stands the test of time as one of the genre's most resolute classics. Rated 4.5/5 Stars • 08/15/24. A classic old school western, an...

    • (37)
    • Alan Ladd
    • George Stevens
    • Paramount Pictures
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  7. Shane (1953) is a timeless, classic western tale - a very familiar and highly regarded seminal western and the most successful Western of the 1950s. The film's rich color cinematography captures the beautiful environment of the legendary frontier (filmed on location in Jackson Hole, Wyoming) with its gray-blue Grand Tetons as a backdrop.

  8. Shane, American western film, released in 1953, that is a classic of the genre, noted for exploiting the elegiac myths of the Old West via a unique juxtaposition of gritty realism and painstakingly composed visual symmetry.

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