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      • The references (perhaps unintentional) are quite amusing but it must be said that 'Serious Moonlight' is no romantic comedy. It's more of a black comedy about a couple going through a stale marriage that is on the brink of breaking point.
      www.imdb.com/title/tt1133993/
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  2. On the review aggregator website Rotten Tomatoes, 22% of 37 critics' reviews are positive, with an average rating of 3.9/10. The website's consensus reads: " Serious Moonlight jumbles a comic tone with tragic circumstances and the result is confused performances from its stars."

  3. Dec 4, 2009 · It's been a long time since Ryan has had a romantic comedy that gave her room to move and though the scale is smaller here, the humor blacker and Ryan well beyond the first blush phase, you'll be glad that Serious Moonlight came along.

    • (16)
    • Cheryl Hines
    • R
    • Meg Ryan
  4. Serious Moonlight jumbles a comic tone with tragic circumstances and the result is confused performances from its stars. Read Critics Reviews

    • (39)
    • Cheryl Hines
    • R
    • Meg Ryan
  5. Dec 4, 2009 · Serious Moonlight is a 2009 American black comedy film directed by Cheryl Hines and starring Meg Ryan, Timothy Hutton, Kristen Bell, and Justin Long. It was released by Magnolia Pictures on 4 December 2009.

    • Nancy Schreiber
    • Steve Rasch
    • Cheryl Hines
    • Andrew Hollander
  6. The references (perhaps unintentional) are quite amusing but it must be said that 'Serious Moonlight' is no romantic comedy. It's more of a black comedy about a couple going through a stale marriage that is on the brink of breaking point.

    • (8.9K)
    • Comedy, Crime, Drama
    • Cheryl Hines
    • 2009-12-04
  7. Serious Moonlight suggests an unholy, watered-down hybrid of The Ref and Funny Games, played as a chirpy screwball comedy.

  8. Dec 3, 2009 · The detour speaks to Shelly’s flirtation with black comedy and unconventional attitudes, yet the added violence doesn’t develop the picture in the least. In fact, it renders it even more repellent, making the filmgoing experience less about rooting for rekindled love between Ian and Louise and more about just wanting the film to end.

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