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- The film received mixed reviews from critics at the time of its release, earning praise for its performances, direction, and humor but criticism for the lack of scares and reliance on clichéd formulas.
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NEW. It has been many years since the Ghostface Killer cut a deadly path through the town of Woodsboro. In order to get over the trauma of those horrific events, Sidney Prescott (Neve Campbell ...
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Jan 14, 2022 · Scream: Directed by Matt Bettinelli-Olpin, Tyler Gillett. With Neve Campbell, Courteney Cox, David Arquette, Melissa Barrera. 25 years after a streak of brutal murders shocked the quiet town of Woodsboro, Calif., a new killer dons the Ghostface mask and begins targeting a group of teenagers to resurrect secrets from the town's deadly past.
- (162K)
- Horror, Mystery, Thriller
- Matt Bettinelli-Olpin, Tyler Gillett
- 2022-01-14
Jan 11, 2022 · Features. Scream 4 Is Still the Best Scream Sequel. Scream 4 is better than you remember and skewered “legacy sequels” years before The Force Awakens came out. By David Crow | January 11,...
Oct 1, 2021 · However, looking back on the estranged fourth installment of the Ghostface legacy, it has aged with a surprising amount of grace while remaining a time capsule of a bygone era. Ten years later, Scream 4 deserves a second first impression as an underrated sequel and millennial classic in the making. Image: Dimension Films.
- Sarah Truesdale
Jul 30, 2021 · With a new Scream in cinemas next year, reuniting the survivors with yet another hip young cast, it’s not the original film that directors Matt Bettinelli-Olpin and Tyler Gillett need to beat ...
- Josh Winning
Jan 13, 2022 · After delivering a patented corker of a Scream opener, with yet another young woman home alone, receiving a creepy phone call that turns deadly, new directors Matt Bettinelli-Olpin and Tyler...
Jan 14, 2022 · It’s a horror film for a world in which everyone has an opinion on horror films. Luckily, it smartly balances references to the original movies in a way that (mostly) avoids the self-aware smugness that has killed many a “re-quel,” delivering a product that feels consistent with the first four movies but distinct enough to have its own voice.