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Feb 20, 2000 · Roger Ebert. February 20, 2000. 6 min read. The hero of Alfred Hitchcock’s “Rear Window” is trapped in a wheelchair, and we’re trapped, too–trapped inside his point of view, inside his lack of freedom and his limited options. When he passes his long days and nights by shamelessly maintaining a secret watch on his neighbors, we share ...
No sinister mastermind like some of Hitchcock's other villains or a landmark like Norman Bates, just a henpecked husband pushed too far and desperately trying to cover his tracks. And yet, played by Raymond Burr, he's still intimidating enough to be a real threat. Evil people are pathetic.
Suspense. 114 minutes ‧ PG ‧ 1954. Roger Ebert. October 7, 1983. 3 min read. Now this is a movie. Alfred Hitchcock’s “Rear Window” develops such a clean, uncluttered line from beginning to end that we’re drawn through it (and into it) effortlessly. The experience is not so much like watching a movie, as like … well, like spying on ...
Jan 3, 2022 · Ultimately, "Rear Window" paints Jeff's voyeuristic habits in a nuanced light, showing that they can be used to do good (like catching a killer) without ignoring the murky ethical and moral waters ...
- Sandy Schaefer
- Pure Cinema
- Confined Thrills
- Windows Into Romance
- Loving Thy Neighbor
- Rear Window: in Conclusion
Obviously, beyond the elements of soundtrack, Rear Window develops into an immersive world and Alfred Hitchc*ck expertly inserts us directly into the environment to the extent that we have no choice but to become involved in the whole ordeal. We are accomplices, if you will, in this viewing party of Jimmy Stewart’s. It truly is an exhibition in the...
Rear Window’s A-Plot is a harrowing mystery thriller that we watch unfold with a systematic unraveling that’s unnerving in part because Hitchc*ck has orchestrated it all in a limited space. Furthermore, he has handicapped his protagonist and the outsiders coming in are constantly causing us to second guess or reevaluate our assumptions, be they the...
In particular, are the underlining themes of romance. This is a film about love in all of its many facets, with each character or couple reflecting a certain permutation of what romantic love looks like. The love stories are playing out in each compartment of the apartment complex. Miss Torso (Georgine Darcy), the queen bee with the pick of the dro...
That leads us to another area of discussion. There’s a bit of a moral commentary present though Hitchc*ck doesn’t seem all that interested in those conclusions per se as much as he likes manipulating them for the sake of his drama. And yet, like Vertigofour years later, there is this unnerving sense that he is tapping into some of humanity’s darkes...
Far from peering in at other people and staying anonymous, it seems like it involves reaching out to others. That entails being vulnerable and candid – transparent even – so others feel comfortable entering into your life. Like Stella says, sometimes people need to go on the outside and look in for a change. If nothing else that breeds empathy. Of ...
Sep 1, 2020 · The “MacGuffin” in Rear Window is Mrs. Thorwald herself. Jeff draws both Lisa and Stella into his obsessive pursuit of her corpse (because he firmly believes Mr. Thorwald cut her up) but this just complicates things further. Contrary to Jeff’s expectations of Lisa, she transforms from a voyeur into a vigilante.
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Rear Window is a 1954 American mystery thriller film directed by Alfred Hitchcock and written by John Michael Hayes based on Cornell Woolrich's 1942 short story It Had to Be Murder. Originally released by Paramount Pictures , the film stars James Stewart , Grace Kelly , Wendell Corey , Thelma Ritter , and Raymond Burr .
