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      • Music cuts across diverse cognitive capabilities and resources, including numeracy, language, and space perception. In the same way, music intersects with cultural boundaries, facilitating our “social self” by linking our shared experiences and intentions.
      www.ncbi.nlm.nih.gov/pmc/articles/PMC4166316/
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  2. Jul 16, 2020 · Music may have enabled an effective emotional form of communication and coordination, and thus assumed a central role in social interaction. It could be argued that joint engagement in music entails paying attention to the emotional states of others, generating an experience of togetherness and a sharing of intentions and feelings.

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      Music may have enabled an effective emotional form of...

  3. Jul 11, 2023 · Because music is universal, has features that overlap and complement those found in speech, and plays a unique role in human emotional, social, and cultural experiences, it offers an ideal model for future studies on human communication.

    • 10.3389/fpsyg.2023.1012839
    • 2023
    • Front Psychol. 2023; 14: 1012839.
  4. Music plays a prominent role in human interaction, and is thought to have broad impact on social, emotional, and intellectual competencies, and on personal wellbeing. In order to better understand how, why, and under what conditions music affects wellbeing, this chapter summarizes recent work that demonstrates specific aspects of wellbeing that ...

  5. Music is woven into the fabric of our lives, inextricably linked to a host of social and psychological functions that help define what it means to be human. This chapter focuses on the functions of music in society.

  6. This chapter outlines the social function of music, emphasising music as a universally accessible social phenomenon. I propose five categories and one overarching caveat represented by the anacronym C-WARIS (Communication, Wellbeing, Art, Ritual, Identity and Social networks).

    • Raymond MacDonald
    • 2021
  7. Jul 14, 2005 · Music is a powerful means of communication. It provides a means by which people can share emotions, intentions, and meanings even though their spoken languages may be mutually incomprehensible.

  8. This chapter draws on ethnomusicological, cognitive and neuroscientific evidence in proposing that music is a communicative medium with features that are optimised for the management of situations of social uncertainty, and that music and language constitute complementary components of the human communicative toolkit.

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