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    • Meghe Dhaka Tara (1960) - Art House Cinema
      • Although it is not explicitly shown, the film is based on the partition of India and how the refugees from then East Bengal (Pakistan) coped with it.
      www.arthousecinema.in/2013/03/meghe-dhaka-tara/
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  2. Aug 27, 2016 · However, Ghatak and his contributions to the realm of cinema can’t possibly be separated from his magnum opus – ‘Meghe Dhaka Tara’ (1960), which is internationally known as ‘The Cloud-Capped Star’.

  3. Mar 19, 2019 · It cannot be denied that Ghatak’s Meghe Dhaka Tara is based on the Partition and its aftermath, as this film is a part of his most celebrated trilogy. Apart from the theme of Partition and its aftermath, what we get after briefly analyzing the film is that the representations of unprivileged woman, society, patriarchy and melodrama that are ...

  4. Feb 12, 2021 · It isn’t hard to understand why the French film critic Serge Daney called Meghe Dhaka Tara “one of the five or six greatest melodramas in cinema history.” Towards incendiary ends, he drew on Brechtian theater and Eisensteinian techniques of montage and contrapuntal sound.

  5. Apr 14, 2024 · Meghe Dhaka Tara, the story of a refugee family, is inspired by Kalidasa’s Kumarsambhabam, which is about the union of Rudra, Shiva, the god of destruction, and Uma, the great mother. Their union will lead to the birth of Kumar, who will destroy evil.

  6. Meghe Dhaka Tara (Bengali: মেঘে ঢাকা তারা Mēghē Ḍhākā Tārā, lit. The Cloud-Capped Star) is a 1960 film written and directed by Ritwik Ghatak, based on a social novel by Shaktipada Rajguru with the same title.

  7. Mar 18, 2013 · Meghe Dhaka Tara (Eng: The Cloud Capped Star) is a 1960 Bengali film written and directed by Ritwik Ghatak. The film is based on a Bengali novel by the same name by Shaktipada Rajguru.

  8. 3 days ago · What’s more, Ghatak has enormous difficulty simply establishing a coherent tone; the story’s most tragic moment is so broadly played that it threatens to inspire laughter rather than anguish." Despite this, he lauded its "breathtaking black-and-white images on the banks of the titular river" and recommended Meghe Dhaka Tara , "his consensus masterpiece", as a better introduction to his ...

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