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      • Into the Woods is a 1986 musical with music and lyrics by Stephen Sondheim and book by James Lapine. The musical intertwines the plots of several Brothers Grimm fairy tales, exploring the consequences of the characters' wishes and quests.
      en.wikipedia.org/wiki/Into_the_woods
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  2. Into the Woods is a 2014 American musical fantasy film directed by Rob Marshall, with a screenplay by James Lapine based on his and Stephen Sondheim's 1987 Broadway musical of the same name.

  3. In the exciting and wholly original Into the Woods: A Five-Act Journey Into Story, John Yorke not only shows that there is truly a unifying shape to narrative--one that echoes the great fairytale journey into the woods, and one, like any great art, that comes from deep within--he explains why, too.

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  4. In Into the Woods, John analyses how and most innovatively why this blueprint works, based on his decades of experience not only studying and teaching five-act story structure, but making film and TV drama watched by millions of people around the globe. Read the full preface.

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  5. Dec 25, 2014 · Into the Woodsis a modern, dark take on traditional fairytales, and it has everything you would expect from a large-scale, big-name Disney blockbuster. There are the typical laugh-out-loud moments from almost all the characters as well as flawless, dramatic song sequences.

  6. Apr 3, 2014 · Into The Woods isn't a model and shouldn't be interpreted as such. But with all its minor flaws, it is a book worth picking up, if anything to read an enriching analysis of some of the best works of drama of the past 30-40 years.

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    • John Yorke
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  7. Into the Woods: Directed by Rob Marshall. With Anna Kendrick, Daniel Huttlestone, James Corden, Emily Blunt. A witch tasks a childless baker and his wife with procuring magical items from classic fairy tales to reverse the curse put on their family tree.

  8. Dec 24, 2014 · Into the Woods,” Rob Marshall’s Disney screen adaptation of the Stephen Sondheim-James Lapine musical, is a mash-up of Grimm fairy tales viewed through a post-Freudian prism.

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