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  1. Feb 9, 2018 · Within a few minutes, the movie has given viewers a frame to put around it: twenty-five year old Australian Naomi (Emily Browning) takes a job assisting a fortysomething archivist named Nick (former Beastie Boy Adam Horowitz, who’s excellent) and reawakening the mistrust of his wife Alyssa (Chloë Sevigny), a psychologist, who’s still stung ...

  2. Feb 8, 2018 · In “Golden Exits,” the legacy of Alyssa and Gwen’s father hangs over their lives and can feel like a rebuke to their pettiness and navel gazing.

    • Alex Ross Perry
  3. Jan 23, 2017 · Golden Exits Is a Compelling Portrait of Privileged Misery Emily Browning, Jason Schwartzman, Mary-Louise Parker, and a sprawling ensemble unite for this unapologetic tale of Brooklyn ennui....

  4. Jan 25, 2017 · Sundance Film Review: ‘Golden Exits’. Alex Ross Perry remains boldly committed to uneasy characterization in this artful, challenging tapestry of Brooklyn disenchantment. “People never make...

  5. Feb 7, 2018 · The Brooklyn of Alex Ross Perry’s Golden Exits is one of deceptive ease, especially in the lush springtime we find it in. It’s been reduced to a few square blocks where poverty and ...

    • Emily Yoshida
    • Contributor
  6. Feb 10, 2018 · Golden Exits Is a Quiet, Mature Indie Drama Alex Ross Perry’s latest film stars Emily Browning as an Australian student who stirs up trouble among the Brooklyn yuppie set. By David Sims

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  8. Feb 4, 2018 · Golden Exits emotionally climaxes when Sam gives a haunting speech to Jess about the need for clean exits that family can never satisfy with its messy inescapability—a need that parallels Nick’s quest to inform his father-in-law’s life with a posthumous sense of cohesion.

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