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- Cargo is a slow burn zombpocalypse drama that hits some familiar beats, yet there's a rich humanism at its core that makes the journey meaningful.
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May 18, 2018 · Cargo is a slow burn zombpocalypse drama that hits some familiar beats, yet there's a rich humanism at its core that makes the journey meaningful. Zombie apocalypse dramas are common in the age of The Walking Dead, but every so often one like Cargo comes along and finds a fresh story to tell.
- Cargo - Screen Rant
Cargo is a slow burn zombpocalypse drama that hits some...
- Cargo - Screen Rant
May 18, 2018 · Cargo. Drama. 104 minutes ‧ 2018. Brian Tallerico. May 18, 2018. 4 min read. Just when you think the zombie genre has no new stories to tell, along comes the heartbreaking Aussie undead drama “Cargo,” anchored by another wonderfully committed performance from Martin Freeman.
Cargo is a slow burn zombpocalypse drama that hits some familiar beats, yet there's a rich humanism at its core that makes the journey meaningful. Cargo (2018) Movie Review Fifteen of the best new shows, movies, and Netflix Originals coming to the streaming service in May of 2018, including Dear White People and Coco.
Jul 28, 2024 · Cargo (2018) is an Australian post-apocalyptic thriller directed by Ben Howling and Yolanda Ramke. Starring Martin Freeman as a father desperate to save his infant daughter amidst a zombie...
- Ben Howling, Yolanda Ramke
- Contributor
- Martin Freeman
May 19, 2018 · Cargo, directed by Ben Howling and Yolanda Ramke (who also wrote the script) tells the story of a father in the expansive, desolate Australian outback trying to find safe haven for his family in...
May 18, 2018 · Though it's as slow as the undead, Cargo is an effective horror-drama that takes a more cerebral approach to the zombie apocalypse. It won't get your pulse pounding...
Jun 30, 2018 · Cargo (105 minutes) is a subtext-heavy, character-driven zombie drama that mostly works due to its heartfelt story and singularly bleak setting. Directors Yolanda Ramke and Ben Howling tries (a touch too hard) to address their nation’s suppurating wounds of the past and present within the commonplace dystopian realm.
