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By the Grace of God: Directed by François Ozon. With Melvil Poupaud, Denis Ménochet, Swann Arlaud, Éric Caravaca. Three men, abused by the same priest during their childhood, engage in a fight for justice that will expose their personal experiences and question their life with their wife, family, and colleagues.
- (8.4K)
- Crime, Drama
- François Ozon
- 2019-10-18
Oct 18, 2019 · After witnessing Alexandre’s unshakable faith and Francois’ more vengeful attitude, “By the Grace of God” introduces Emmanuel, a man for whom bad news can produce seizures. Emmanuel has suffered the most of the three men; he is in a toxic relationship with another abuse survivor and Father Preynat’s sexual assaults have left him ...
Oct 17, 2019 · In “By the Grace of God” François Ozon, one of France’s most brazen and talente d directors, tells a story of a group of men in Lyon, all childhood victims of a pedophile priest. These ...
- François Ozon
Box office. $7.8 million [2][3] By the Grace of God (French: Grâce à Dieu) is a 2019 French-Belgian drama film directed by François Ozon. [4] The film stars Melvil Poupaud, Denis Ménochet and Swann Arlaud as three victims of a Catholic priest's abuse, who are set to expose the sexual abuse hidden by the Catholic Church.
Oct 25, 2019 · Like Spotlight, By the Grace of God shares DNA with a police procedural. The film’s primary focus, however, is the survivors and the unevenly corrosive effects of post-traumatic stress.
- Melvil Poupaud, Denis Ménochet, Swann Arlaud
- François Ozon
Nov 15, 2020 · With a supporting cast that also includes Aurélia Petit, Josiane Balasko and Hélène Vincent the quality of the acting is consistently high. It is in other areas that the film springs surprises, two in fact. The first resides in the fact that the style of filming, apt as it, gives no indication whatever that the writer/director is François Ozon.
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A thoughtful, fast-paced, and immaculately acted procedural that unfolds with the urgency of a newspaper deadline, By the Grace of God zips through the facts of this horrid case, while also shaping them into a lens through which to examine the uneasy relationships between mercy and justice — between faith and the flawed institution that exists to preserve it.
