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  1. By the Grace of God: Directed by François Ozon. With Melvil Poupaud, Denis Ménochet, Swann Arlaud, Éric Caravaca. Three men, abused by the same priest during their childhood, engage in a fight for justice that will expose their personal experiences and question their life with their wife, family, and colleagues.

    • (8.4K)
    • Crime, Drama
    • François Ozon
    • 2019-10-18
  2. Box office. $7.8 million [2][3] By the Grace of God (French: Grâce à Dieu) is a 2019 French-Belgian drama film directed by François Ozon. [4] The film stars Melvil Poupaud, Denis Ménochet and Swann Arlaud as three victims of a Catholic priest's abuse, who are set to expose the sexual abuse hidden by the Catholic Church.

  3. Oct 18, 2019 · After witnessing Alexandre’s unshakable faith and Francois’ more vengeful attitude, “By the Grace of God” introduces Emmanuel, a man for whom bad news can produce seizures. Emmanuel has suffered the most of the three men; he is in a toxic relationship with another abuse survivor and Father Preynat’s sexual assaults have left him ...

  4. Oct 17, 2019 · In “By the Grace of God” François Ozon, one of France’s most brazen and talente d directors, tells a story of a group of men in Lyon, all childhood victims of a pedophile priest. These ...

    • François Ozon
  5. It highlights an anger (and/or a deep malaise, according to the characters) at first latent then more and more perceptible. The analogy with the American movie Spotlight (2015) is obvious, the main subject being the same; but the way of revealing the truth differs. As a synthesis: very good actors directed by a François Ozon as sober as efficient.

  6. Oct 25, 2019 · Genre: Drama. Starring: Melvil Poupaud, Denis Ménochet, Swann Arlaud. Running Time: 2 hrs 17 mins. Nobody was too surprised when the prolific, versatile François Ozon went from the elegant ...

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  8. Oct 18, 2019 · By the Grace of God is overlong, and loses dramatic momentum as the group works out a social-media strategy and debates potential clickbait. But Mr. Ozon’s film is notable for the range of its concerns — the Church’s belief in redemption versus the legal requirement of punishment; the power of forgiveness versus the need for revenge; and before and after everything else, the special pain ...