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Mar 10, 2022 · By Oliver Hurley | March 10, 2022. Tim Simenon, AKA Bomb The Bass, created one of the most important dance singles of the late 80s. Before he knew it, the young London DJ had become an accidental pop star, been banned by Radio 1 and remixed everyone from Björk to Bowie. Then he knocked his music career on the head to open a bistro in Prague.
Bomb the Bass’s song Megablast had made such good use of famous samples on the new 16-bit composing technology that when it hit the dance scene a year earlier, it was like an express train hitting an ice sculpture. It was an instant hit that broke clean out of the hip-hop scene and into the mainstream.
Bomb the Bass is an electronic music alias of English musician and producer Timothy Simenon (born June 1967). [2] [3] As a name, Bomb the Bass came from Simenon's approach to collaging and mixing sounds whilst DJing in the mid- to late 1980s; he says "samples were either scratched in live or sampled and looped on top of the rhythm section.
Aug 2, 2023 · "Empire" by Bomb the Bass featuring Benjamin Zephaniah and Sinéad O'Connor is a song that critiques the detrimental nature of power and dominance, particularly in the context of England's history and present. The lyrics metaphorically depict England as a vampire, feeding off the purity and goodness of others.
Going straight to number two in the UK charts, the song's success quickly propelled Simenon from underground DJ to in-demand knobsman. Long before Mark Ronson or Timbaland, he was the go-to guy for the Midas Touch.
Jul 29, 2023 · Over the next few decades he would not only stamp his mark on Dance music, but also commercially and later as a successful and in demand mixer and producer. Bomb The Bass developed from Tim’s early DJ-ing stints and sampling and mixing other songs.
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It features swirling flanged Hendrix guitar samples over a TR808 bass drum, with '19'-style news announcements in classic Bomb The Bass style. Amongst the things which particularly caught my ear were a sampled organ riff taken from a Pink Floyd track, manic laughter (rather reminiscent of 'Wipeout'), and a great timbale break.