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Blumhouse was originally known as Blum Israel Productions, with Amy Israel with a first-look deal at Miramax when the company was founded. In 2002, Blum and Israel parted ways, and the company became Blumhouse Productions. In 2015, Crypt TV was created by Jack Davis and Eli Roth which is backed by Blum and the company.
May 14, 2020 · That Blumhouse’s last two films made a collective profit of $380 million is certainly not to be scoffed at. If anyone can steer moviegoers back to the multiplex, Blumhouse can. Related Topics
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Blumhouse was honored by Fast Company as one of its Most Innovative Companies in 2024 and one of its Brands That Matter in 2023. The company is investing in its brand development and connection with audiences through its consistent presence at Universal Studios’ annual Halloween Horror Nights, its first Halfway to Halloween Film Festival with ...
Apr 18, 2018 · That film was Paranormal Activity (released in 2009), and Blumhouse has been making waves in the industry ever since. Their latest release comes with the company name up front — Blumhouse’s Truth or Dare — showing the power of the brand. Here are just a few ways that Blumhouse and Jason Blum have changed the face of horror. Macro-Budget ...
Feb 7, 2023 · The company's model involves producing horror films with relatively small budgets, usually in the range of $3 million to $5 million, but One of the biggest brands in horror these days has got to be Blumhouse, the production company known for its low-budget, high-profit horror films like "Paranormal Activity," "Get Out," and most recently, "M3GAN."
Sep 23, 2021 · Blumhouse specializes in low and micro budget horror films. According to director Couper Samuelson, the Blumhouse model is, “closer to the auteurist model than the old Hollywood model.”. The company produces high-concept and writer- and director-driven films at very low cost, allowing for minimal risk and maximum profits.
Oct 30, 2020 · It did $177 million worldwide off of a $3 million budget, cementing Paranormal Activity as a franchise and giving Blumhouse a shot at becoming a brand. Peters remarks on how Blumhouse began putting together franchises, again echoing the 1980s; he says, “[The] sequels tend to keep the spirit of what you enjoyed about the original and yet take it in a different and more expansive direction.
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