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      • From Hereditary to Midsommar, A24 has a growing and excellent collection of scary movies, garnering positive attention and praise. What makes them some of the best is conceptualizing their premise, whether dealing with a cult - a common theme in their movies - or taking care of an animal, yet it still maintains its horror factor.
      screenrant.com/a24-best-horror-movies-ranker/
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  2. Jul 6, 2024 · The indie darling A24 is known for bringing us some of the most critically acclaimed horror films of recent years. Often challenging and experimental, their films are notable for the...

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  3. Critics Consensus: The Hole in the Ground artfully exploits parental fears with a well-made horror outing that makes up in sheer effectiveness what it lacks in originality.

    • “The Witch” (2015) The alpha and the omega of A24 horror. Robert Eggers’ brilliant period horror film, which follows a group of pilgrims who are cast out their community for being a bit too zealous, finding even more hardships on the edge of the frontier (next to some haunted woods, of course), is beautifully composed, thoughtfully performed and scary as hell.
    • “X” (2022) “X” is a new horror classic. Independent horror filmmaker Ti West, who had previously made films like “The Innkeepers” and “The House of the Devil,” returns to horror filmmaking after a stint in episodic television (and before that a poorly received but still underrated Western), significantly upping his game in the process.
    • “Under the Skin” (2014) There’s just nothing like “Under the Skin.” Jonathan Glazer’s third feature took inspiration from satirical sci-fi horror novel by Michel Faber, but instead of the replicating complex narrative and embroidering the story with elaborate special effects, Glazer stripped it all away.
    • “Midsommar” (2019) A year after A24 unleashed “Hereditary,” they terrorized the world with another Ari Aster horror favorite, one that was even more visually rich and thematically resonant.
    • Hereditary (2018) Ari Aster’s directorial debut has become something of a benchmark for horror of a particular kind, whether you want to label it “elevated,” “artsy,” or anything else.
    • The Witch (2015) To fully appreciate The Witch, it must be made clear that there’s a literal witch in the woods. Writer-director Robert Eggers emphasizes this early on, allowing the audience to glimpse her scraggly and unholy shape as the crone sacrifices a newborn to Satan.
    • The Lighthouse (2019) “How long have we been on this rock?” It’s a simple question posed by one lighthouse keeper (or “wicke”) to another in Robert Eggers’ The Lighthouse.
    • Midsommar (2019) Emerging director Ari Aster made two very different horror movies for A24 virtually back-to-back with Hereditary and Midsommar, and was vocal about the mental and emotional breakdown that ensued thanks to this near-impossible endeavor.
    • Green Room (2015) - 90% Starring Anton Yelchin, Imogen Poots, and Patrick Stewart; the three actors do what they do best, give incredible performances in a horror movie that provides non-stop shock and horror.
    • The Lighthouse (2019) - 90% Starring Robert Pattinson and Willem Dafoe, The Lighthouse is one of A24's more acclaimed movies. Portraying two lighthouse keepers tasked with spending four weeks together on a New England island, Robert and Pattinson give their respective roles their all as Ephraim Winslow and Thomas Wake.
    • Hereditary (2018) - 90% Hereditary is one of the most groundbreaking horror movies released by A24. Toni Colette gives the performance of a lifetime as Annie Graham, a woman dealt quite the series of tragedies during the film's runtime.
    • The Witch (2015) - 90% Anya Taylor-Joy has given some breathtaking performances in horror films such as The Menu and Split; The Witch, though, is the film that cements her as a modern-day Scream Queen.
  4. Apr 18, 2023 · A24 is great at grabbing people's attention with horror films like Midsommar, Under The Skin, The Witch, and The Killing of a Sacred Deer.

  5. The 18 best A24 horror movies include work from Ari Aster and Robert Eggers, as well as 'I Saw the TV Glow' from Jane Schoenbrun.

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