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The Devil Is a Woman is a 1935 American romance film directed and photographed by Josef von Sternberg, adapted from the 1898 novel La Femme et le pantin by Pierre Louÿs. The film was based on a screenplay by John Dos Passos, and stars Marlene Dietrich, Lionel Atwill, Cesar Romero, Edward Everett Horton, and Alison Skipworth.
Nov 16, 2010 · The films starring his “discovery,” Dietrich, are the centerpiece of the director’s career and represent perhaps the highest point achieved in cinema’s early sound era. The Devil Is a Woman is something of a translation of the Sternberg/Dietrich relationship into visual poetry and metaphor.
Jan 5, 2011 · For all of the film’s grotesquerie, braggadoccio, and literateness, Sunset Boulevard’s greatest triumph is its rapaciously cynical, unrelenting wit. Skewering Hollywood in a biting way, Wilder’s fascination with American culture is expressed through cadaverous jokes about death and destitution brought on by the evil, oppressive empire of ...
Marlene is Concha Perez, cigarette factory girl, sailing serenely through a comic-opera Spain in a steely, deeply-felt analysis of male masochism.
The Devil Is a Woman. The contradictory Concha is all surface and no depth, a beautiful, fickle, unpredictable woman, or at least that is how she is presented as Don Pasqual (Lionel Atwill) tells Antonio (Cesar Romero) about her.
This chapter relies on The Devil Is a Woman (1935), the last film Sternberg and Dietrich made together, to develop an account of Sternberg’s antagonistic relation to the off-screen. More than most directors, he is a maker of self-sufficient images: this informs his understanding of narrative.
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THE DEVIL IS A WOMAN Tuesday, March 12 6:00 Introduced by David Thomson (1935, Josef von Sternberg) “Men are my slaves – and glad to be!” Marlene Dietrich emerges from the steamers of a 19th century Spanish fiesta as her dalliances with Cesar Romero drive aging lover Lionel Atwill to the brink.
