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The Devil Is a Woman is a 1935 American romance film directed and photographed by Josef von Sternberg, adapted from the 1898 novel La Femme et le pantin by Pierre Louÿs. The film was based on a screenplay by John Dos Passos, and stars Marlene Dietrich, Lionel Atwill, Cesar Romero, Edward Everett Horton, and Alison Skipworth.
Nov 16, 2010 · The films starring his “discovery,” Dietrich, are the centerpiece of the director’s career and represent perhaps the highest point achieved in cinema’s early sound era. The Devil Is a Woman is something of a translation of the Sternberg/Dietrich relationship into visual poetry and metaphor.
Jan 5, 2011 · For all of the film’s grotesquerie, braggadoccio, and literateness, Sunset Boulevard’s greatest triumph is its rapaciously cynical, unrelenting wit. Skewering Hollywood in a biting way, Wilder’s fascination with American culture is expressed through cadaverous jokes about death and destitution brought on by the evil, oppressive empire of ...
Sep 15, 2024 · Josef von Sternberg and Marlene Dietrich went out with a bang in their final film together, The Devil Is a Woman, a surreal tale of erotic passion and danger set amid the tumult of carnival in turn-of-the-twentieth-century Spain. Through a series of flashbacks, Captain Costelar (Lionel Atwill) recounts to the young Antonio Galvan (Cesar Romero ...
Marlene is Concha Perez, cigarette factory girl, sailing serenely through a comic-opera Spain in a steely, deeply-felt analysis of male masochism. Sternberg adapts the same Pierre Louys novel as ...
This chapter relies on The Devil Is a Woman (1935), the last film Sternberg and Dietrich made together, to develop an account of Sternberg’s antagonistic relation to the off-screen. More than most directors, he is a maker of self-sufficient images: this informs his understanding of narrative.
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The Devil Is a Woman is a perfect culmination to an enigmatic relationship and a breathtaking series of visually stunning films. Based on Pierre Louys's novel, The Woman and the Puppet , the film is a quintessential example of the von Sternberg filmed universe.
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