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- Featuring an all-black cast, this little film is a revelation, primarily because it provides black faces with the most natural dialogue they've had in years. She`s Gotta Have It is neither a crime story nor a heavy message movie, and the conversations in it are therefore free of the shackles of most minority-oriented stories.
www.metacritic.com/movie/shes-gotta-have-it/
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Farah Cheded A Good Movie To Watch Stands overall as a radical, exuberant, and impressively assertive lightning bolt of an entry into the medium that Lee changed forever. Full Review | Oct 7,...
- She's Gotta Have It - Rotten Tomatoes
Beautiful Nola Darling (Tracy Camilla Johns) can't decide...
- She's Gotta Have It - Rotten Tomatoes
Beautiful Nola Darling (Tracy Camilla Johns) can't decide what kind of man she wants to date, so she decides to date three at the same time. The first is Greer Childs (John Canada Terrell), a...
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- Spike Lee
- R
- Tracy Camilla Johns
She's Gotta Have It is a 1986 American black-and-white comedy drama film written, produced, edited and directed by Spike Lee. [2] Filmed on a small budget and Lee's first feature-length film to be released, it earned positive reviews and launched Lee's career.
Aug 13, 2018 · In a 2 1/2-star review published on August 22, 2012, Roger notes how the movie was made on a small budget, and guerilla-style, just like Lee’s first feature, “She’s Gotta Have It”; the movie also brings back Lee’s character Mookie from “Do the Right Thing,” of whom Roger said he was happy to get a glimpse of.
Nov 22, 2017 · Photo: David Lee/Netflix. The title of Spike Lee’s She’s Gotta Have It now requires a parenthetical: (the movie) or (the Netflix series). The former came out in 1986, the latter debuts...
- Matt Zoller Seitz
- Features Writer
The story of Nola Darling's simultaneous sexual relationships with three different men is told by her and by her partners and other friends. All three men wanted her to commit solely to them; Nola resists being "owned" by a single partner.
Sep 10, 2012 · Structurally, it could be compared to Kurosawa's Rashomon for its subjective cross-examination of Nola's loves; but this delightful low-budget comedy, with its all black cast and black humour, is...
