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- Random Acts of Violence is a horror slasher that follows a comic book writer Todd, on a roadtrip as he struggles to write the final issue of his comic series based on the I-90 killer, "SlasherMan," but things take a turn when random acts of violence start happening straight out of the gore-filled comic book, Todd must solve these murders and figure out who is behind them.
www.rottentomatoes.com/m/random_acts_of_violence_2020
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Grimm R Random Acts of Violence is a horror slasher that follows a comic book writer Todd, on a roadtrip as he struggles to write the final issue of his comic series based on the I-90 killer ...
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Random Acts of Violence is a 2019 slasher film directed and produced by Jay Baruchel, who wrote the screenplay with Jesse Chabot. An adaptation of the 2010 graphic novel, the film follows a comic book creator (portrayed by Jesse Williams) whose works are used as inspiration for a string of real-life murders. Jordana Brewster and Baruchel also star.
Random Acts of Violence is a vicious yet humbly self-reflecting horror that realizes the glorification of murder and mayhem while acknowledging its criticisms. This is a horror film for horror fans who like a dose of medicine with the sugar.
Aug 22, 2020 · ‘Random Acts Of Violence’ review: self-reflective slasher mixes horror with philosophy. Jay Baruchel's gutsy gore-fest poses an important question: do violent films cause violent acts? By...
- Howard Gorman
Aug 20, 2020 · Random Acts of Violence. Horror. 80 minutes ‧ NR ‧ 2020. Brian Tallerico. August 20, 2020. 3 min read. Jay Baruchel ’s “Random Acts of Violence” is a depressing, cynical slice of nihilism, a movie that thinks it’s saying something about gratuitous violence and exploitation of real tragedy but is even more hypocritically hollow than ...
Aug 18, 2020 · Actor-turned-director Jay Baruchel’s sophomore directorial feature Random Acts of Violence is many things—at times emotional, others intellectual; a shocking gorefest in parts, and an...
Directed by Baruchel, Random Acts of Violence is a mean little slasher with a chip on its shoulder and a biting if somewhat muddled message about artistic responsibility in relation to sensationalized violence.
