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- Random Acts of Violence is a horror slasher that follows a comic book writer Todd, on a roadtrip as he struggles to write the final issue of his comic series based on the I-90 killer, "SlasherMan," but things take a turn when random acts of violence start happening straight out of the gore-filled comic book, Todd must solve these murders and figure out who is behind them.
www.rottentomatoes.com/m/random_acts_of_violence_2020
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Random Acts of Violence is a 2019 slasher film directed and produced by Jay Baruchel, who wrote the screenplay with Jesse Chabot. An adaptation of the 2010 graphic novel, the film follows a comic book creator (portrayed by Jesse Williams) whose works are used as inspiration for a string of real-life murders. Jordana Brewster and Baruchel also star.
Random Acts of Violence is a vicious yet humbly self-reflecting horror that realizes the glorification of murder and mayhem while acknowledging its criticisms. This is a horror film for horror fans who like a dose of medicine with the sugar.
‘Random Acts Of Violence’ review: self-reflective slasher mixes horror with philosophy. Jay Baruchel's gutsy gore-fest poses an important question: do violent films cause violent acts? By...
Brisk and brutal, Random Acts of Violence is a slasher armed with a timely social message—a weapon that’s a bit more blunt than it is sharp, but it gets the job done. Jay Baruchel gives genre audiences yet another voice to keep an eye on in the future.
Aug 25, 2020 · If it thematically bites off more than it can chew, Random Acts Of Violence is a full-on, visually arresting horror. What it lacks in chills, it makes up for in ambition and style.
Grimm R Random Acts of Violence is a horror slasher that follows a comic book writer Todd, on a roadtrip as he struggles to write the final issue of his comic series based on the I-90 killer ...
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Mar 29, 2018 · A scene with Wade McNeil (guitarist for the band Alexis on Fire) as radio DJ explicitly brings up the alleged toxic nature of male on female violence in horror. A police officer vents at length about the misogyny she sees in Todd’s work. The message is about as subtle as the kills.
