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  1. With Charlotte Rampling, Philippe Noiret, Peter Ustinov, Agostina Belli. With his mauve taxi, the old philosopher Dr. Seamus Scully (Fred Astaire) runs around the small green roads of the south of Ireland, becoming confident of his patients, while trying to help them find their way.

    • (663)
    • Drama
    • Yves Boisset
    • 1980-12
    • Yello: OH Yeah
    • Bee Gees: Stayin’ Alive
    • Huey Lewis and The News: The Power of Love
    • Simple Minds: Don’T You
    • Berlin: Take My Breath Away
    • U2: Hold Me, Thrill Me, Kiss Me, Kill Me; Seal: Kiss from A Rose
    • Bryan Adams
    • Stevie Wonder: I Just called to Say I Love You
    • Blondie: Call Me
    • Roy Orbison: OH, Pretty Woman

    Such is its ubiquity, it’s hard to imagine a time when Yello’s electro-pop classic didn’t exist (the song has been featured in everything from movies to TV shows and confectionery adverts). Equally, it’s hard to imagine a song more fitting for the moment when Ferris Bueller decides to commandeer his best friend’s dad’s car… (The film also made judi...

    The film that introduced disco to a wider world and made a star of John Travolta also featured a welter of hits that ensured the Bee Gees dominated the charts in 1977. “More Than A Woman,” “How Deep Is Your Love,” and “Night Fever” – along with a number of non-Bee Gees classics of the era, such as KC And The Sunshine Band’s “You Should Be Dancing” ...

    Soundtracking an altogether different journey through the streets, “The Power Of Love” helped Back To The Futureencourage countless teens to hitch rides from unsuspecting drivers – perfect if you can’t really skateboard, but also a highly dangerous way to travel. The movie was known for its use of songs, including a stirring rendition of Chuck Berr...

    A rare coming-of-age drama that transcends its era and speaks to all generations, The Breakfast Club’s memorable closing scene, in which five high-school students leave their Saturday detention having asserted their individuality – and perhaps found themselves in the process – remains one of the best uses of a song in a movie ever filmed. It made s...

    Co-written by Giorgio Moroder and performed by LA syth-pop outfit Berlin, “Take My Breath Away” played no small part in turning Tom Cruise into a global heartthrob. Initially soundtracking Cruise and co-star Kelly McGillis’ sexually charged argument, it eventually provided the soundbed for their, er, bed… antics. The song subsequently saw out the r...

    Ever since Prince recorded an entire album for Tim Burton’s 1989 Batman movie, the franchise has had the power to push its soundtrack music to the top of the charts. Batman Forever boasted a collection stuffed with cuts from artists as varied as PJ Harvey, Method Man, and Massive Attack. Undoubtedly, however, it was U2’s “Hold Me, Thrill Me, Kiss M...

    Spending a record-breaking 16 straight weeks at the top of the UK charts and seven at the top of the Billboard Hot 100, Bryan Adams’ indefatigable “(Everything I Do) I Do It For You” owed at least some of its ubiquity to its use in the summer 1991 blockbuster Robin Hood. It was subsequently nominated for an Oscar, and went so far as to win the Gram...

    Released during comic actor Gene Wilder’s seemingly unstoppable assault on the box office, The Woman In Redmight now be a largely forgotten period romantic comedy, but its soundtrack was a Stevie Wonder-helmed affair that included his global smash title track. Wonder’s only UK No.1 hit, “I Just Called To Say I Love You” topped the charts across the...

    What better way to open a movie in which Richard Gere plays a high-class male escort than with Debbie Harry’s alternately sultry and predatory vocals on “Call Me”? A masterclass in Blondie’s new wave-pop crossover, the song also helped give the LA setting a bit of New York grit, while the film established Richard Gere as a fearless lead, not least ...

    A decade later, the tables had turned for the 1990 romantic comedy Pretty Woman, in which Richard Gere played a businessman who ends up infatuated with a prostitute (as played by Julia Roberts). Using Roy Orbison’s “Oh, Pretty Woman” was a masterstroke: The Big O was at the forefront of many fans’ minds in the years immediately after his death and ...

    • 4 min
  2. The Purple Taxi (French: Un taxi mauve, lit. ' A mauve taxi ') is a 1977 French-Irish-Italian film directed by Yves Boisset, based on the 1973 novel of the same name by Michel Déon. It was entered into the 1977 Cannes Film Festival. [1]

  3. Purple Taxi is an outstanding movie, full of mood, atmosphere, ambiance, plus some of the greatest Irish scenery. The acting is superb by Ustinov, Noiret, Rampling, the actor who plays Rampling's brother, and Astaire.

  4. Mar 11, 2024 · Here is our pick of the greatest movie songs of all time: All Saints - 'Pure Shores' (The Beach) All Saints - Pure Shores (Official Music Video) A huge UK number one single in 2000, All Saints recorded the main theme tune to this Leonardo DiCaprio film.

  5. The romantic missteps are choreographed with care and the eclectic cast is quite good, particularly Noiret and Rampling. Review by Emma Fogarty ★★★★. Yves Boisset directs a two hour drama, about a group of emotionally mixed up people living in rural Ireland.

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  7. Movie: The Purple Taxi (Un taxi mauve) (1977) info with movie soundtracks, credited songs, film score albums, reviews, news, and more.

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