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- Swift and stealthy “P2” is a canny exploitation of one of the urban woman’s greatest fears: the after-hours parking garage. Throw in a car that won’t start, a creepy security guard and a filmmaking team with perfect synchronicity, and the result is a minimalist nightmare.
www.nytimes.com/2007/11/09/movies/09park.html
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P2 is a tense thriller that makes great use of its limited location by keeping things moving. Some innovative ideas help to heighten the suspense, including an elevator scene that's novel and terrifying. There's also good interaction between Thomas, whose vacillating mental states are jarring, and Angela, who's no dummy.
Dec 23, 2022 · P2 isn't often found on lists covering the best Christmas horror movies, but it's one we think is worthy of inclusion. Here's why.
I think this was a pretty average movie not bad but also not great either. It’s about a woman who gets off work and ends up getting stranded in a parking garage with a psychotic security guard.
Dec 22, 2019 · The movie has some good atmosphere, and a few good scares. The first real one of the film (there had been a dumb fakeout earlier) is incredibly effective. The movie does drag a bit.
- Patrick J Mullen
Franck Khalfoun does a good job directing the movie by keeping it moving along at a brisk pace and intermixing the interaction between the characters with a few surprisingly vicious, eye-opening scenes. Bentley does a good job switching between the different facets of Thomas’ deranged personality .
- Franck Khalfoun
- R
Nov 9, 2007 · Like most thrillers, the characters seem to be able to teleport and inexplicably close calls, but in this movie, they're very distracting. It also drags at points, especially in the beginning, but P2 is definitely worth a shot if you're looking for a fun thriller.
Parents need to know that this is a gruesome thriller about sadistic captivity and male sexual obsession. Even with its tiny cast, it manages to squeeze in scenes of close-up mutilation and bloody savagery, thanks to murders of both people and a dog.
