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Jul 12, 2017 · This article examines the social construction of indie-folk as a genre, defined not primarily as an aesthetic category but as a tool and resource of social differentiation. Drawing from 48 in-depth interviews with musicians, gatekeepers, and audience members, the discourse of indie-folk is analyzed, focusing on how Dutch community members draw social and symbolic boundaries. Analysis shows ...
- Niels van Poecke
- vanpoecke@eshcc.eur.nl
- 2018
Indie folk is a subgenre of folk music that emerged in the early 2000s, combining the acoustic, singer-songwriter sensibilities of folk with the independent, experimental approach of indie music. The result is a style that feels both familiar and fresh, rooted in folk traditions but not afraid to push boundaries.
Oct 1, 2018 · ‘popular’ culture; on (6.2.) how a taste for indie-folk reflects a taste for ‘quality’ culture, and (6.3.) on how symbolic boundaries are drawn around a snobbish and populist aesthetic.
Fonarow writes that indie music has an ethos of independence but a pathos of not belonging. ,is creates a discrepancy between positive and negative attitudes, which is detrimental to authentic self-expression. As a result, Fonarow argues, authenticity in indie music is unsustainable. I argue that indie-folk music sets o- from
Mar 30, 2022 · Indie music is primarily characterized by the artist's independent production of music. Specifically, indie folk music focuses on themes like romanticizing love, wanderlust, melancholy, and introspection. Various artists and bands made independent folk music, and while its popularity might have peaked in the mid-2010s, most of the creatives ...
It is a cultural movement that encourages independent artists to provide rich narratives of overlooked communities, communicates social and political messages, and challenges the status quo. But most importantly, it ensures their voices are heard, loud and clear. Delve into the depths of indie folk music and discover its cultural significance ...
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The Zones of Participation The Event Zone One The Pit The Front Zone One Spectatorship: The Initiates The Psychosomatics of Zone One Zone Two The Mode of Comportment of Zone Two Comportment Features That Vary over Space Gigs as Social Life The Process of Change from Zone One to Zone Two The Heterogeneous Audience A Move toward the Exit ...
