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  1. Jun 23, 2012 · SPOILERS IN VIDEO; A music video/overview of the romantic comedy "The Decoy Bride" starring David Tennant and Kelly Macdonald. This song played at the end of the film and we thought it would be...

    • 3 min
    • 47K
    • Silver Vintage Videos
  2. One such song that has deeply resonated with me is “The Bride” by Model Decoy. In this article, I would like to delve into the meaning behind this hauntingly beautiful song and share my personal experiences with it.

    • Background and Musical Career
    • Songs and Albums
    • External Links

    Will Nott is a singer and songwriter and plays his music at restaurants, pubs, the 12 Bar, the radio, including Cafe Nero and Warwick, and for movie soundtracks. He preformed his EP, "Won't Go Back," for Bristol Couch. He was accompanied by Ollie Clark.

    Currently, Will Nott has several EP's, and many live performances. These include: 1. Won't Go Back 2. Hide You Far Away 3. Love My Home 4. Thames Will Flow 5. Love Still Remains 6. Home 7. 60 Years He created a music video to go along with his song, "Won't Go Back." His song was also featured in the 2013 movie, "Having You." "Hide You Far Away," wa...

    • London
    • William Nott
  3. PG. A Hollywood starlet's plans for a remote island wedding ceremony are complicated when the decoy bride she hires to distract the paparazzi falls for the real groom. ...more.

    • 89 min
    • 124.3K
    • YouTube Movies
  4. The Decoy Bride is a 2011 British romantic comedy film written by comedian Sally Phillips and Neil Jaworski, and starring Kelly Macdonald, David Tennant, and Alice Eve and set on the fictional island of Hegg, [4] supposedly located in the Outer Hebrides of Scotland.

  5. Dec 3, 2018 · Aren't these two the cutest?Song; End Of The NightArtist; Danny AvilaShow; The Decoy Bride

    • 1 min
    • 873
    • Companion of a Sociopath
  6. Mar 6, 2012 · The Decoy Bride ’s readily identifiable faults—most egregiously its narrow emotional range and reliance on cliché—are for the most part limitations of the genre’s framework, and if that doesn’t exonerate the film it at least situates its problems within a cinematic tradition.

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