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Sep 5, 2018 · The voyage took him to three islands off the coast of West Cork accompanied by a (motley) crew of artists, musicians, researchers and thinkers along the way. Here, he reports on an intense day of art actions, research and reflections, all focused on how islands are faring in the 21st century.
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- Present Tense
Nov 28, 2020 · Archipelagoes are figures of connections and solidarity between peoples, places and species who have similar struggles. They include liquid spaces. Any archipelago is also an intersectional site of the liquid and solid, land and ocean watery spaces with uncertain edges changing according to the tides.
- María Magdalena Campos-Pons. B. 1959, Matanzas, Cuba. Lives and works in Nashville, Tennessee. Maria Magdalena Campos-Pons. Freedom Trap, ca. 2013. Gallery Wendi Norris.
- Christopher Cozier. B. 1959, Port of Spain, Trinidad and Tobago. Lives and works in Port of Spain. Christopher Cozier, from the series Tropical Night (detail), graphite, ink, and rubber, 2005–2015.
- Maksaens Denis. B. 1968, Port-au-Prince, Haiti. Lives and works in Port-au-Prince. Maksaens Denis, Marchons unis, 2017. Courtesy of the Artist. Video and installation artist Maksaens Denis is a leading figure of Caribbean new media art.
- Sofía Gallisá Muriente. B. 1986, San Juan, Puerto Rico. Lives and works in San Juan. Sofía Gallisá Muriente, Lluvia con nieve, 2014. Courtesy of the artist.
Punctuated by a compelling variety of animation techniques, Archipelago brings to life a vibrant imaginary world that acts seamlessly as both a stark contrast to and a playful collaboration with the existing archival imagery and newsreel footage, worked into the structure of a tale rooted in reality.
Mar 2, 2012 · Thus was born Solentiname’s distinctive art style: highly detailed oil and acrylic paintings of idealized rain forests and watery scenes populated by white egrets, blue herons and oropendolas,...
Sep 28, 2014 · The exhibition No Man Is an Island enlisted visual art from the end of 19th century until today, in an attempt to elaborate on the image of the archipelago with the point of departure in concepts such as class, gender and identity.
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Caribbean peoples understood deities and ancestors to inhabit trees, stones, and other aspects of the landscape. This divine environmental force, known as zemí (or cemí) to the Taínos, was a central concept in art and ritual.
