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      • The demeaning and threatening aspects of incarceration are depicted in the Shawshank film to convey a truly unsettling dread that “horror” films go to ghoulish lengths to contrive. Discipline is delivered in severe ultimatums, enforced with hickory batons, boots, sadism and solitary confinement in “the hole.”
      www.abajournal.com/voice/article/prison-and-rehabilitation-25-year-look-back-at-shawshank-redemption
  1. Jan 5, 2024 · The necessary reforms to combat corruption and abuse of power in prison systems, as depicted in “The Shawshank Redemption,” involve a multifaceted approach encompassing policy changes, increased oversight, and active involvement from external agencies.

    • ‘Amenities’ and ‘Comforts’
    • Ellis Boyd ‘Red’ Redding
    • Brooks Hatlen, Displaced by Reentry
    • Red, resilient While Resigned
    • The Screenwriter’s Story
    • The Redeeming

    The demeaning and threatening aspects of incarceration are depicted in the Shawshankfilm to convey a truly unsettling dread that “horror” films go to ghoulish lengths to contrive. Discipline is delivered in severe ultimatums, enforced with hickory batons, boots, sadism and solitary confinement in “the hole.” The 1994 motion picture engagingly retel...

    Having served 20 years of his life sentence, Red (portrayed by Morgan Freeman) appears before the Maine Parole Board. Stephen King tells us that Red had rehearsed his presentation and delivered it earnestly: “I have learned my lesson. I can honestly say I am a changed man. I am no longer a danger to society. That’s the God’s honest truth.” His appl...

    The elderly inmate who works in the ramshackle debris-strewn room that passes for a library had no guidance, mentoring or counseling to facilitate his reentry. He wouldn’t know how to obtain a library card out in the world that would be so very alien to him. That 50-year veteran of confinement is unequipped psychologically to cope with life “outsid...

    Red is an astute, resourceful facilitator and procurer of contraband. “I’m the guy who can get things for you. I’m a regular Sears & Roebuck.” (Neiman-Marcus, and a regular Yellow Pages, in the novella). While his connections and resourcefulness set him apart and shield him somewhat from the deprivations and indignities inside, they are not suitabl...

    At the TCM Classic Film Festival in Hollywood, this past spring, the film was shown on the TCL Chinese Theatre’s Imax screen. Prior to the screening, Frank Darabont, who wrote the screenplay and directed the film, spoke about what he hoped audiences got from the film in 1994 and what viewers continue to get in movie houses or on screens of lesser s...

    The wrongly convicted inmate Andy Dufresne (played by Tim Robbins) has a prison-inmate legacy that is estimable—so rare as to be unique. Through persistence and tenacity—capital P, capital T—he manages to get the state legislature to allocate funds and philanthropic organizations to donate books, which he methodically employs to turn a storage dump...

  2. May 1, 2024 · The Shawshank Redemption presents an enlightening approach to how prison experiences and penal institutions raise serious philosophical themes. It is not the first commercial and theatrical venue about prisons and the life of convicts.

    • ahooke@stevenson.edu
  3. A theme that is handled delicately within Shawshank is the portrayal of gay and rape issues in prison. This is certainly still an issue here in the UK, according to surveys from prison inspectors 1 out of 100 prison inmates have suffered some form of sexual abuse while incarcerated.

  4. Dec 29, 2023 · Explore the trial of Andy Dufresne in "The Shawshank Redemption" with Fahad Hizam. This analysis covers jury bias, evidence handling, and judicial errors in the film compared to real-life legal standards.

  5. This article explores a dramatic representation of the prison (The Shawshank Redemption) through the lens of Freud's (1919/1955) notion of the uncanny and Bachelard's (1958/1994) poetics of domestic space. Incarceration, as depicted in film and television, reinforces the `place myths' of the prison (Shields, 1991).

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  7. The difference between inmates of Shawshank and individuals in a majority of other prison films is a reduction of prisoner violence. In this way, the film seeks and succeeds to humanize its most important characters.

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