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1. journals.openedition.org › mimesis › 342Contemporary theatre in the Philippines - OpenEdition Journals

   journals.openedition.org › mimesis › 342

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   1. What does it mean “the Filipino theatre”? 2. Sacral performances and the question of the performer’s individualism. 3. Social and political commitment. Top of page. Full text. PDF 221k. Share by e-mail.

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   • Contemporary Theatre in The Philippines

     12 A good example of how the postcolonial “inheritance”...

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2. www.jstor.org › stable › 26622003Entablado: Theaters and Performances in the Philippines - JSTOR

   www.jstor.org › stable › 26622003

   one enacted in the academic halls of the University of the Philippines (UP) at Diliman where a Komedya Festival was held in 2008. The festival witnessed a move made by esteemed artists to define the komedya as a heritage marker and to install it as national theater. Tiatco again challenges the position. The

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4. www.critical-stages.org › 24 › endangered-theatre-aEndangered Theatre: A Philippine Notebook – Critical Stages ...

   www.critical-stages.org › 24 › endangered-theatre-a

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   This is a critical assessment of Philippine theatre in Manila based on ruptures in its status quo of silence over fundamental divides based on language and privilege, as well as important issues of neo-coloniality, inequality, and injustice.

5. www.cambridge.org › core › journalsDocumenting Theatrical and Performative Philippines ...

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   Aug 2, 2019 · The writing of theatre history has been a challenging intellectual commitment in the Philippines. This mode of inquiry and inscription largely manifests more as a strand of general historiography than as a systematized and specialized critical practice in Philippine academe.

6. www.thediarist.ph › lockdown-innovations-inLockdown innovations in Philippine theater: ‘There’s no more ...

   www.thediarist.ph › lockdown-innovations-in

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   May 21, 2021 · Tanghalang Pilipino plans to create cinematic version of ‘Lukot-Lukot Bilog-Bilog’. Director Ron Capinding blends the digital ‘Oedipus Rex’ with filmmaking. Today more than a year after the government first called for a lockdown of the National Capital Region and other cities to fight the pandemic, Philippine theater companies are still ...

   • Author: Cora Llamas

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7. www.researchgate.net › publication › 273085008_QuestQuest for the Elusive Self: The Role of Contemporary ...

   www.researchgate.net › publication › 273085008_Quest

   Sep 1, 1997 · the national theatre of the Philippines should embrace the capital, the cities, the towns, and barrios of the island. It should be primarily devoted to the quest for

8. People also ask

   Does the Philippines have traditional theatre?

   • Certainly the Philippines has several traditional theatre forms other than the komedya and the sarsuwela. More than this institutionalized nationalism, what the country needs is a venue for these traditional theatre forms to be mounted. mounts traditional theatre.

   Performing the Nation Onstage: An Afterthought on the ... - JSTOR

   www.jstor.org/stable/25782122

   See all results for this question

   How did drama come to the Philippines?

   • The form came to the Phil- ippines via traveling Spanish troupes after the Suez Canal opened in 1869. The them to be censored and their creators persecuted. Being short and singularly evening's entertainment. Tiongson divides the dramas into three types: roman- comedies.

   Quest for the Elusive Self: The Role of Contemporary Philippine Theatre

   www.researchgate.net/publication/273085008_Quest_for_the_Elusive_Self_The_Role_of_Contemporary_Philippine_Theatre_in_the_Formation_of_Cultural_Identity

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   Why is the Filipino contemporary theatre so difficult?

   • Nevertheless, for anyone who would like to discuss the issue of the Filipino contemporary theatre, the difficult and very complicated postcolonial history of the country appears as one of the main challenges. The Philippines were first colonized by Spain (1565-1898) and later (in the 20 th century) by the USA.

   Contemporary theatre in the Philippines - OpenEdition Journals

   journals.openedition.org/mimesis/342?lang=en

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   Why are foreign plays used in Philippine Theatre?

   • Philippine theatre or are scripted from contemporary life. Many of the foreign plays are chosen for their potential commentary on the Philippine situation. This is often brought out through the mise-en-schne and directorial emphasis. mances of translated foreign plays tend to underscore the relevant subtext.

   Quest for the Elusive Self: The Role of Contemporary Philippine Theatre

   www.researchgate.net/publication/273085008_Quest_for_the_Elusive_Self_The_Role_of_Contemporary_Philippine_Theatre_in_the_Formation_of_Cultural_Identity

   See all results for this question

   Why is Philippine theatre so divided?

   • This divide is rooted in the history of Philippine theatre as we know it, a by-product of colonialism, whereby the colonizer and educated elite sought foreign texts and productions, while local playwrights and actors built productions for the local mass audience.

   Endangered Theatre: A Philippine Notebook - Critical Stages/Scènes

   www.critical-stages.org/24/endangered-theatre-a-philippine-notebook/

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   Is the Philippine Theatre a postcolonial country?

   • It should be rather seen as another voice in a wide discussion about the state of contemporary theatre in the Philippines, the theatre of a country which shares with many others the experience of being postcolonial, but in the same time it keeps its uniqueness and must be considered under its own particular history.

   Contemporary theatre in the Philippines - OpenEdition Journals

   journals.openedition.org/mimesis/342?lang=en

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9. www.jstor.org › stable › 25782122Performing the Nation Onstage: An Afterthought on the ... - JSTOR

   www.jstor.org › stable › 25782122

   the sarsuwela as another Philippine national theatre form: "This is the ultimate goal of our Sarsuwela Festival. It is more than a celebration of history, but the discovery of the real Philippine national theatre form. Furthermore, we would like to perform the characteristics of theatre forms like the komedya and the sarsuwela in order to ...