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Jul 18, 2020 · A Simplified History of Traditional Theatres in the Philippines (Part 1) Posted by SAP Tiatco on July 18, 2020. The Hispanic annotators wrote in their reports to the Hispanic monarchy that if not for their introduction of the theatre, the natives (the precolonial settlers in the islands in the Visayas) would not have one.
Plan 1. What does it mean “the Filipino theatre”? 2. Sacral performances and the question of the performer’s individualism 3. Social and political commitment
- Maria Delimata
- 2013
Jan 11, 2021 · This article considers the particular role that entertainment media plays in the formation of publics in which comedic, melodramatic and celebrity-led content generates networks of followers, users and viewers whose loyalty produces various forms of capital, including in notable cases political capital.
- Anna Cristina Pertierra
- 2021
Aug 24, 2019 · Sarsuwela. The sarsuwela is a type of melodrama, usually in three acts, that uses alternately spoken and sung words. It was the Spanish influence that started the sarsuwela, but it was also this colonization that led Filipinos to incorporate nationalistic overtones in the art.
Jul 20, 2020 · It was an ingenious way of an intercultural performance where the stories were based on several narratives consolidated by the vivid imagination of the dictador or apuntador establishing a unified plot entangled by the general theme of the star-crossed lovers due to their religions.
Jan 1, 2021 · The common features of komedya are: 1) the central theme of komedya is fight between Christians and Muslims, where Christians always win; 2) actions described in komedya never take place in the...
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This report documents the activities of the Komedya Fiesta 2008 and discusses how scholars and others have cited komedya as a national theatre for the Philippines, but argues why this form cannot serve as a national theatre because of its Roman Catholic religious orientation.
