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  1. May 13, 2009 · Wolfgang Becker's film Good Bye Lenin! has been touted as the most representative example of ostalgie, and is used here as a text to examine the complex questions about looking back on everyday life during communism's fall.

    • Timothy Barney
    • 2009
  2. May 19, 2011 · Using Wolfgang Beckers film Good Bye Lenin!, this paper analyses the phenomenon of Ostalgia through the lens of Jean Baudrillard’s theories on simulation and simulacra.

  3. Jan 8, 2020 · moving history | 02Als wir träumten. Revolution, Mauerfall, Nachwendezeithttps://www.moving-history.de/Retrospektive: Good Bye, Lenin!So, 29.09 / Thalia Prog...

    • 36 min
    • 1782
    • moving history
  4. May 19, 2011 · Using Wolfgang Beckers film Good Bye Lenin!, this paper analyses the phenomenon of Ostalgia through the lens of Jean Baudrillard’s theories on simulation and simulacra.

    • Oana Godeanu-Kenworthy
    • 2011
  5. Aug 7, 2010 · This article examines the representation of the GDR past and the treatment of Ostalgie in Wolfgang Becker's Good Bye, Lenin! and Hannes Stöhr's Berlin Is in Germany, arguing that the films evidence a split in recent German fiction films between nostalgic constructions of the past, on the one hand, and postnational views of the present, on the ...

    • Jennifer M. Kapczynski
    • 2007
  6. Using Wolfgang Becker’s film Good Bye Lenin!, this paper analyses the phenomenon of Ostalgia through the lens of Jean Baudrillard’s theories on simulation and simulacra. It argues that Becker’s film deconstructs the nostalgic transformation and commodification of the socialist national past in the post-communist age by exposing the deep ...

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  8. Jan 21, 2004 · When he raises his voice in protest, bank guards throw him out. In the final scene of the film, as his mother is approaching death, he stages one last ruse that summarises the sensibility of Wolfgang Becker, the film's director and co-author (written with Bernd Lichtenberg).