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    • Image courtesy of contrareplica.mx

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      • Music and painting share a timeless bond - rhythm, harmony, imagination, emotion. As Kandinsky wrote, “Our ears ring with the music of the spheres.” For centuries, artists have tuned their brushes to melodies and arias, distilling music into indelible images. They teach us to see sound, and hear the visual.
      www.artandabout.art/post/music-as-inspiration-for-visual-art
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  2. Jun 27, 2024 · Both artists, though working in different mediums, aimed to evoke profound emotional responses and explore big themes like faith and mortality. Caravaggio’s visual intensity and Bach’s musical complexity together illustrate how art and music from this period sought to touch the soul.

  3. May 30, 2019 · Where the Victorian Pater’s notion of the relationship between painting and music was hierarchical, Kandinsky’s was downright anarchistic: nothing less audacious than a completely new language, with music, literature, and art dissolving into a big, glorious mess.

    • how do paintings relate art and music to life1
    • how do paintings relate art and music to life2
    • how do paintings relate art and music to life3
    • how do paintings relate art and music to life4
    • how do paintings relate art and music to life5
    • The Music Lesson – Johannes Vermeer
    • The Musicians – Caravaggio
    • The Cellist – Amedeo Modigliani
    • Orchestra Musicians – Edgar Degas
    • The Wedding at Cana – Paolo Veronese
    • El Jaleo – John Singer Sargent
    • The Piano Lesson – Henri Matisse
    • Three Musicians – Pablo Picasso
    • The Fiddler – Marc Chagall
    • Music – Henri Matisse

    Johannes Vermeer’s work The Music Instruction, Woman Seated at a Virginal or A Lady at the Virginals with a Gentleman depicts a young female learner having a music lesson from a guy. The man’s mouth is slightly open, as if he’s singing along with the song that the little girl is playing. This implies a connection between the two personalities, as w...

    The Musicians or Concert of Youths (c. 1595) is a painting by Michelangelo Merisi da Caravaggio (1571–1610), an Italian Baroque painter. It has been on display at the Metropolitan Museum of Art in New York since 1952. In 1983, it received considerable repair throughout it’s lifetime. Caravaggio is said to have joined the household of Cardinal Franc...

    Amedeo Clemente Modigliani (July 12, 1884 – January 24, 1920) was an Italian painter and sculptor who mostly worked in France. He is best known for portraits and nudes in a contemporary style typified by a surreal elongation of features, necks, and bodies, as seen above in his painting The Cellist. These paintings and the style in which the were pa...

    Orchestra Musicians is an 1872 artwork by Edgar Degas that was modified in 1874. This was initially a horizontal-format painting, with the musicians in the orchestra pit in the middle and the ballet dancers on the stage in the backdrop, with just the bottom half of their bodies visible. Degas subsequently shortened both edges of the canvas and expa...

    The Wedding Feast at Cana (Nozze di Cana, 1563), by Paolo Veronese, is a figurative painting of the biblical tale of the Marriage at Cana, in which Jesus magically transforms water into red wine (John 2:1–11). The large-format (6.77 m 9.94 m) oil painting, executed in the late Renaissance Mannerist style (1520–1600), embodies the artistic goal of c...

    El Jaleo is a giant John Singer Sargent artwork that depicts a Spanish Gypsy dancer dancing to the accompaniment of musicians. It was painted in 1882 and is now on display at the Isabella Stewart Gardner Museum in Boston. Sargent’s five-month voyage across Spain and North Africa in 1879 inspired the work, as did a smaller oil painting, The Spanish ...

    The Piano Lesson displays Henri Matisse’s living room at Issy-les-Moulineaux, with his older son, Pierre, playing the piano, the artist’s sculpture Decorative Figure (1908), at bottom left, and his painting Woman on a High Stool, at top right. Matisse started with a realistic sketch, but as he worked, he removed detail, scraping down parts and recr...

    Picasso’s title for two collage and oil pieces is Three Musicians. Both were completed in 1921 at Fontainebleau, near Paris, France, and are remarkable specimens of the Synthetic Cubist style. Each piece features a Harlequin, a Pierrot, and a monk, who are claimed to represent Picasso, Guillaume Apollinaire, and Max Jacob, in that order. The Harleq...

    Marc Chagall was a Belarusian-French artist who lived from 6 July 1887 to 28 March 1985. He was an early modernist who worked in a variety of creative mediums, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries, and fine art prints. The Fiddler by Marc Chagall is an oil work done in 1913 when the artis...

    Henri Matisse created Music (La Musique) in 1910 as a wall-size painting. Sergei Shchukin commissioned the painting, which he displayed beside Matisse’s 1910 Dance on the stairway of his Moscow residence. Matisse created the painting without any previous studies, and as a result, the work is riddled with alterations. Matisse’s processes to get the ...

  4. Mar 14, 2024 · Music and visual art share a dynamic relationship, influencing each other through elements like rhythm, harmony, and emotion. This interplay has inspired artists to integrate musical concepts into their visual works, leading to innovative art forms and multimedia experiences.

    • Fernand Khnopff: Listening to Schumann (1883) Fernand Edmond Jean Marie Khnopff (1858-1921), quite a handful of a name, was one of the great leaders of the Symbolist movement.
    • Oscar Wilde/Aubrey Vincent Beardsley: Salome (1894) The Western Europe arts scene was mad with Symbolism by the end of 19th-century. People began to dig into mythology, bible stories and the exotic, wild world, to write, paint and compose.
    • Matthias Grünewald & Niclaus of Haguenau: Isenheim Altarpiece, (c. 1512-16) and Paul Hindemith: Mathis der Maler (1934) These two works are over four centuries apart, yet they are so intimately connected.
    • Art deco poster by Ludwig Hohlwein. Richard Strauss attends a Berlin performance of Wilde’s Salome in November 1902. Immediately after the play, he has it translated into German.
  5. From the beginning of the 20th century, colors have been associated with different sounds in music compositions. Let us revisit the direct connections between painters and composers of the 19th century.

  6. Music and painting have danced together harmoniously across the centuries, two kindred art forms that inspire and complement one another. Sounds lift painters’ brushes, just as images give music shape and color. This melodic muse continues to strike deep chords today.

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