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In 1936, when Leon Schlesinger—under contract to produce animated shorts for Warner Bros.—hired Iwerks, Stalling went with him to become a full-time cartoon music composer. According to Sigall, Stalling was hired by the Leon Schlesinger studio in July, 1936.
Apr 1, 1997 · Daniel Goldmark shows how Carl Stalling, who may have been the most skilled and clever composer of cartoon music Hollywood ever had, used music to create gags and help tell a story at the same time.
Aug 23, 2010 · Beginning in 1936, he worked for Warner Bros. and wrote all of the cartoon music there (including Bugs Bunny, Daffy Duck, Road Runner, Porky Pig, and Sylvester) for 22 years until his retirement in 1958. Stalling saw his first movie at age 12 in1903 and vowed to be involved in movies in some way.
Jul 30, 2015 · Stalling was a unique composer who could read between the synchronization clicks and find the music to carry a cartoon. It might only last 10 seconds, but each cue he wrote had a colorful...
- Brad Sayles
Jan 17, 2018 · By 1936, Stalling was scoring music for most of the theatrical animated shorts in the famous Looney Tunes and Merrie Melodies series. NPR featured Stalling’s contributions to cartoon scoring in radio piece regarding a 2020 update of the animated series by HBO Max.
Carl Stalling. An interview by Michael Barrier, Milton Gray, and Bill Spicer. Reprinted from Funnyworld No. 13 (1971). It's instructive to listen to the soundtrack of a Warner Brothers cartoon—especially one in pantomime—without watching the pictures.
As a musical director for cartoons produced by Walt Disney, Ub Iwerks, and Warner Bros., Stalling had years to develop and eventually perfect his approach to relating music to what he saw taking place in each cartoon he scored.
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