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In 1936, when Leon Schlesinger—under contract to produce animated shorts for Warner Bros.—hired Iwerks, Stalling went with him to become a full-time cartoon music composer. According to Sigall, Stalling was hired by the Leon Schlesinger studio in July, 1936.
Aug 23, 2010 · Beginning in 1936, he worked for Warner Bros. and wrote all of the cartoon music there (including Bugs Bunny, Daffy Duck, Road Runner, Porky Pig, and Sylvester) for 22 years until his retirement in 1958. Stalling saw his first movie at age 12 in1903 and vowed to be involved in movies in some way.
Nov 18, 2016 · 1928 - Mickey Mouse debuts in "Steamboat Willie," in New York; This was the first animated cartoon with synchronized pre-recorded sound effects and music -- the latter provided by organist and composer Carl Stalling of Kansas City; Stalling would later provide memorial music for many classic Warner Brothers cartoons;
Apr 1, 1997 · Carl Stalling almost single-handedly brought about a new form of music that did not exist before 1928. Having established the musical conventions for cartoons, Stalling basically had an influence on every cartoon composer since his run at Warner Bros.
Jul 30, 2015 · Stalling was a unique composer who could read between the synchronization clicks and find the music to carry a cartoon. It might only last 10 seconds, but each cue he wrote had a colorful...
- Brad Sayles
Nov 3, 2013 · As Mozart, Haydn, and Ives, Stalling addressed the relationship between music and humor by violating the expectations of the audience. His music is rhythmically complex with extreme tempos, meters, and dynamics shifts. It is a music that constantly changes style, orchestration, density, and texture All these changes make the form and structure ...
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That Stalling composed cartoon music allowed him a great deal of creative freedom. One- or two-reel films, including cartoons, comedies, newsreels, and short musicals, were less prestigious than full-length features, in part because their brevity led to smaller production budgets.
