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In 1936, when Leon Schlesinger—under contract to produce animated shorts for Warner Bros.—hired Iwerks, Stalling went with him to become a full-time cartoon music composer. According to Sigall, Stalling was hired by the Leon Schlesinger studio in July, 1936.
During the journey he stopped at Kansas City to hire Stalling to compose film scores for two other animated shorts. Stalling composed several early cartoon scores for Walt Disney, including Plane Crazy and The Gallopin' Gaucho in 1928 (but not Steamboat Willie).
Aug 23, 2010 · Soon after his first cartoon with music (Steamboat Willie, 1928), Walt Disney hired Carl Stalling as his music director. Stalling provided music for many more cartoons over the next few years, including the earliest Silly Symphonies.
Apr 1, 1997 · Daniel Goldmark shows how Carl Stalling, who may have been the most skilled and clever composer of cartoon music Hollywood ever had, used music to create gags and help tell a story at the same time.
Jul 30, 2015 · Stalling was a unique composer who could read between the synchronization clicks and find the music to carry a cartoon. It might only last 10 seconds, but each cue he wrote had a colorful...
- Brad Sayles
Nov 18, 2016 · In 1936, Stalling joined the Warner Brothers studios, and for the next 22 years was the music director for classic Porky Pig, Bugs Bunny, and Daffy Duck cartoons. Stalling’s wonderfully wacky and endlessly inventive music was usually ignored by “serious” music critics as beneath notice.
Mar 30, 2018 · Starting out as an organist at the Isis Theater in Kansas City, accompanying and improvising for silent films, Stalling was initially scouted by Walt Disney in the 1920s and began scoring for Mickey Mouse cartoons.
