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      • Rivette began writing film criticism, and was hired by André Bazin for Cahiers du Cinéma in 1953. In his criticism, he expressed an admiration for American films – especially those of genre directors such as John Ford, Alfred Hitchcock and Nicholas Ray – and was deeply critical of mainstream French cinema.
      en.wikipedia.org/wiki/Jacques_Rivette
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  2. Jul 10, 2016 · For the younger critics, Rivette’s text not only convinced them of the merits of Monsieur Verdoux, it also signalled to them the direction which the critical project of Cahiers should take in the 1960s: one that would focus on modernist cinema, contemporary theory and radical politics.

    • Daniel Fairfax
  3. Rivette began writing film criticism, and was hired by André Bazin for Cahiers du Cinéma in 1953. In his criticism, he expressed an admiration for American films – especially those of genre directors such as John Ford, Alfred Hitchcock and Nicholas Ray – and was deeply critical of mainstream French cinema.

  4. Jacques Rivette was a French film director associated with the New Wave film movement and known for his experimental evocative style. Before becoming a director, Rivette had a career as a writer and film critic. In 1950 Rivette, Jean-Luc Godard, François Truffaut, and Eric Rohmer founded the film.

    • The Editors of Encyclopaedia Britannica
  5. Jan 30, 2016 · the French New Wave who started as critics, Rivette marked the purest distillation of the movement’s intellectual passions and artistic impulses. He directed 23 features, a couple of documentaries and several shorts.

  6. Dec 21, 2016 · Rivette, who started out as a critic for Cahiers du Cinéma, set many of his films — including his first feature, “Paris Nous Appartient” (“Paris Belongs to Us”), and his late ...

  7. Jan 24, 2003 · Jacques Rivette emerged out of the postwar milieu of movie love in Paris. As a young film enthusiast, he joined forces with the group of critics who would come to form the legendary film journal Cahiers du cinéma .

  8. Throughout the afternoon, he spoke of cinema as a devoted moviegoer, someone who “keeps up” as strenuously as he did when he was a practicing critic, and continues to have precise and articulate opinions about what he sees.