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Jul 10, 2016 · For the younger critics, Rivette’s text not only convinced them of the merits of Monsieur Verdoux, it also signalled to them the direction which the critical project of Cahiers should take in the 1960s: one that would focus on modernist cinema, contemporary theory and radical politics.
- Daniel Fairfax
Rivette’s writings in particular were profoundly influenced by G. W. F. Hegel’s philosophy – as demonstrated, for example, by Douglas Morrey’s illuminating scholarship in “To Describe a Labyrinth: Dialectics in Jacques Rivette’s Film Theory and Film Practice” (2012).
Dec 21, 2016 · Rivette, who started out as a critic for Cahiers du Cinéma, set many of his films — including his first feature, “Paris Nous Appartient” (“Paris Belongs to Us”), and his late ...
The French New Wave is perhaps the greatest advocation for the important of film criticism, giving the film industry a fine example of how critical analysis directly leads to the progression of the industry as a whole; after all, the entire movement was founded by critics.
Jan 30, 2016 · the French New Wave who started as critics, Rivette marked the purest distillation of the movement’s intellectual passions and artistic impulses. He directed 23 features, a couple of documentaries and several shorts.
Mar 1, 2021 · Towards the end of 1997, Hélène Frappat contacted Jacques Rivette, who was about to finish editing his film Secret Defense, in order to propose a conversation intended for publication in a new quarterly magazine called La Lettre du cinéma, whose first four issues had come out that year.
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where a critic like Rohmer, with his references to classical art, seeks to canonise the artistic achievements of the cinema, Rivette’s vocabulary of dialectics seems to covet, for film criticism and film making alike, the status of a science. We will see repeatedly how his articles return to an idea of
